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EXPO '67: Audiovisual Previet
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'T'HE PRIME PURPOSE of universal, world exhibitions has
to show Man's accomplishments expressed through architecture design: to visualize his progress to the individual within the thnj who attend such events. The manner in which Man's achieveniA have been displayed have undergone a considerable evolution withi'past six decades. Designers now express their ideas through d\i methods, seeking to attain and hold the interest of the spectator, i. have found that sight sound techniques for presentation pro\x unique and controllable media for their talents.
The Paris Exhibition in 1901 witnessed the birth of Cinema withit work of the Lumieres on display: in Paris again, Abel Gance utilid many screens to project his famed Napoleon at the Exhibition of I'J.' Brussels, a couple of decades later, followed the earlier New '^'orlwith more innovations on the screen. And then came Seattle's ; another at Lausanne and the two years of the New York World'^ with many techniques used to project Man's achievements and ink
Expo '67 at Montreal next April will unveil "many new audio-\.a methods which will change our concept of the Cinema" accordinjb' its spokesmen. "Spectators will enjoy new audio-visual experienL, the various thematic exhibits as well as in all of the participating tions" pavilions at this universal exhibition." These pages preview of the many audio-visual innovations now under way: they wi supplemented and reported in detail in subsequent picture text fe;i;
71 nations will exhibit at Expo: pictund at lift, top to bottom, ur Italian, British. Japaiu'sc and Soviet Paiiliotts. Soviet hiiild'.iifi uill i.i 600-.<i('at theater. Below: sky-view of the heart of the Exposition <;rou»
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