Business screen magazine (1967)

NATIONAL DIRECTORY OF AUDIO-VISUAL DEALERS ^he Navy m Vietnam: EASTERN STATES • MARYLAND • Stark-Films (Since 1920). Howard and Centre Sts., Baltimore 1. LE. 9-3391. • MASSACHUSETTS • Cinema, Inc., 234 Clarendon St., Boston 02) 16. • NEW YORK . Buchan Pictures, 122 W. Chippewa St., Buffalo 2, N. Y. The Jam Handy Organization, 1775 Broadway. New York 10019. Phone 212/JUdson 2-4060. Training Films, Inc., 150 West 54th St., New York 19. CO 5-3520. VisDal Sciences, 599BS Suffem. • PENNSYLVANIA • Appel Visual Service, Inc., 12 Eighth St., Pittsburgh 15222. Oscar H. Hirt, Inc. 41 N. 11th St. Philadelphia. 19107. Phone: 215/ 923-0650. J. P. Lilley & Son, Inc., Box 3035, 928 N. Third St., Harrisburg 17105, (717) 238-8123. The Jam Handy Organization, Pittsburgh. Phone: ZEnith 0143. SOUTHERN STATES • GEORGIA . Colonial Films, 71 Walton St., N. W., JA 5-5378, Atlanta. • LOUISIANA • Delta Visual Service, Inc., 715 Girod St., New Orleans 70130. Phone: 504/525-9061. MIDWESTERN STATES • ILLINOIS • Robt. H. Redfield, Inc., 831 So. Wabash Ave., Chicago 60605. The Jam Handy Organization. 230 North Michigan Avenue, Chicago 60601. State 2-6757. Midtvest Visual Equipment Co., Inc. 3518 W. De\on. Chicago 60645. Phone: 312/IR. 8-9820, or 571 West Randolph, Chicago 60606, Phone: 312/263-5076. . MICHIGAN • The Jam Handy Organization, 282 1 E. Grand Blvd.. Detroit 48211. Phone: 313/TR 5-2450. • MISSOURI • Swank Motion Pictures, Inc., 201 S. Jefferson Ave.. St. Louis, Mo. 63103. (314) JE 1-5100. • OHIO • Academy Film Service, Inc., 2 1 1 0 Payne Ave., Cleveland 44114. Films Unlimited Productions, 564 Park Avenue, Mansfield. Fryan Film Service, 2929 Prospect Ave., Cleveland 44115. Sunray Films, Inc., 2005 Chester A-ve., Cleveland 44114. Twyman Films, Inc., 329 Salem Ave., Dayton 45401. M. H. Martin Company, 1118 Lincoln Way E., Massillon. WESTERN STATES . CALIFORNIA • LOS ANGELES AREA Coast Visual Education Co., 5620 Hollywood Blvd., Hollywood 28. HO 6-1651. The Jam Handy Organization, 305 Taft Building, 1680 N. Vine St., Hollywood 90028. HO. 3-2321. Photo & Sound Company, 55 1 5 Sunset Blvd.. Hollywood 9002S. Phone: 2 13/ Hollywood 6-7681. Raike Company, Inc. A-V Center. 641 NortI) Highland Ave., Los Angeles 36, 933-7111 (A/C 213). SAN FRANCISCO AREA Photo & Sound Company, 1 1 6 Natoma St., San Francisco 94105. Phone: 415/GArfield 1-0410. • COLORADO . Cromars' Audio-Visual Center, 922 Bannock, Denver 80204. . OREGON • Moore's Audio Visual Center, Inc. 234 S.E. 12th Ave. Portland 97214 Phone: 503/233-5621. • UTAH • Deseret Book Company, 44 East South Temple St.. Salt Lake. 10 (CONIINUEiD FROM PACl^ 119) rier Kitty Hawk, the Helicopter Carrier Princfton, the Destroyer F.scort Lowi;. the Amphibious Ship BiLLL Guovi;. and others. Sun Dial camera crews traveled by plane and he!ict)pter from Saigon to Cat Loh and Vung Tau on the Coast, to Can Tho and Tieni Tom in the Delta, westward to Cai Son and Vinh Long and northward as far as Danang. They rode on a mission with a River Assault Group, lived at a small Vietnamese Junk Force base and rode the Navy's Swift boats and air-jet propelled PBRs. The final sequence for the film was photographed not in Vietnam but in New York Harbor. Several weeks after the completion of location shooting. Chet Huntley was selected as the film's narrator. In order to associate him as closely as possible with the film's subject matter and location. Sun Dial's crew photographed Huntley's oncamera narration aboard a U. S. Navy helicopter assault carrier on its Navy Day visit to a New York pier — Huntley wearing his correspondent's jacket from an earlier trip to Vietnam, and the camera showing only the flight deck, a helicopter with its crew, and the superstructure of the assault carrier in the background. The American Navy in Vietnam. except for Chet Huntley's on-camera portions, was shot entirely in Vietnam and on the waters of the South China Sea. It is a 28-minute, color documentary and will be distributed by the Navy — first to television stations throughout the Navy F-S Crusader i.s po.'tilioned oncatapuh ready fcr un uttcick luuitcli. country, and then, through the Navy's extensive distribution channels, to the widest possible general audiences. • HOLD THAT SCRIPTWRITER (CONTINUED FROM PAGE 103) pre-production conference. He should consult with the editor. He should review the rough cut. Don't be embarrassed that you've already paid him for hiv services. His fee should have included the extra time for consultation and rewriting at rough-cut. It it didn't, then an equitable arrangement can be worked out. If the producer is in another city, pay the writer's expenses. It will be a small investment with a potential for a large return. In the final analysis a scriptwriter doesn't write scripts — he writes films. This means he must be made a greater part of the film production effort. Don't let him get away! • Powerful six-inch guns of the guided nmsilc light cruiser, USS TOPEKA. fire salvos at Viet Cong stronghold. (Scene in "American Wavy in Vietnam' 218 BUSINESS SCREEN • 196: