Business screen magazine (1967)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

A new one from those film engineers who worked so diligently after the factory lights went out. Kodak 4X Reversal is the film to end all reversals — blackouts, for instance. Because it's rated at E.I. 320 for tungsten (400 for Daylight), you can do your work by candlelight. Or maybe your problem is night football accompanied by not quite enough light. Maybe you've been shooting Kodak Tri X Reversal Film and getting it pushed — but paying a premium for this special service. 4-X Reversal Film to the rescue. It's the one that will brighten up the evening news, solve a host of your problems. Take care of that halo problem around the headlights of passing cars or charging quarterbacks. 4-X Film has an antihalation undercoat that excels anything we've ever seen. And the film IS as close in grain and sharpness to Tri-X Reversal as you could want. You'd like still another stop beyond E.I. 320? Yes. you can force 4-X Reversal Film. Kodak knows where the cinematographer's needs are. Wherever possible, we put ourselves in your place. And we have a direct line to you through our motion picture engineers in the offices listed below. We think this gives us a sound business relationship: professionals working with professionals, EASTMAN KODAK COMPANY *TIANTA 5315 >«Kl>lm Indinlrlol »l«l.. ChoinUo. 30005, «4 CI 7 S3?l CHICAGO IWi W.ii 23r.d Si. Ool B'OOl. 40SJ3. 31J-451 MOO. OAllAS 1300 CxIO' Sc>i>01«d.7SZ15. JU-ll I 3721, MOUYWOOO 6704 So-"o Mo<"Co >l«l. W03». JIJ— <*« «I31 NfW TOIK 300 fofk A.. , 10017. 312-MU 7 7060 SAN flANOSCO 3250 Van N«ll A.., 941I9. 415— 77t.ia55 ^UMBKK 8 ■ VOLUME 28 47