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ic ious. For this, they needed a
ti nera about the size and shape
da briefcase — and luckily they
e i one. The NPR. At the setup,
tj/place where there was room
shoot they couldn't use, be
jse a passenger might wander
JiJAnyplace where they wouldn't
discovered was too small to
lebot in — so they used that.
The great Film Runout Problem.
No room for 1200 foot loads
there. No AC power, usually.
tripod, even, half the time.
rtainly no blimp. But if ever
re was a show that needed
00 foot loads, it was Candid
:mera. The classic problems of
Doting un-rehearsed action,
pjs the necessity for total
3::recy.The program's shooting
s aired-footage ratio averaged
^BOVEMBER, 1969
around a hundred to one! And the best action very often happened precisely at film runout, of course. Gasp.
I said Sync, Madam not Sink.
But Mr. Schwartz reports that the two-man crews got to the point where they could change the NPR's magazine literally in three seconds. They left the tape recorder running; and the NPR's built-in clapper automatically reestablished sync. With earlier cameras, they had used a system of warning lights to let the interviewer know that he should stall the action while the crew changed magazines. But with the NPR, all that was found to be unnecessary. The NPR, in fact, turned out to be the ideal Candid Camera camera.
We have a brochure on the NPR that we'd like to send to you. Just let us know your address. Ours Is Eclair Corporation of America, 7262 Melrose Avenue, Los Angeles Calif. 90046. Call (213) 933-7182
Camera makers since 1909
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