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Employee at Southwest Film labs keeps close eye on printing machine.
16mm film, then packaging and marketing it. From this, he expanded the operation by inventing and manufacturing his own film processing machines and supplying processing service.
MP Editors Teachers, Too
One of the most unique stories in Dallas is Motion Picture Editors. Inc. Besides offering editing serv
ices, the company provides full production services and operates the .American Schools of Cinema (the only one in the Southwest ) with courses on professional cinematography and editing.
The company was formed when several free-lance editors decided to pool their talent to form their own company. Besides president George Jalonick, the company is operated by Robert Rogers ( 20 years as a producer, director, cinematographer. editor including three years on NASA project); Don Lovins (18 v'ears experience including cinematography at RC.-X & General Dynamics): and Sam Russell ( 10 years experience including work in U.S. Navy and editor at Keitz & Herndon).
Students at American Schools of Cinema learning operation of Arri 16mm camera.
Students at Dallas' American Schools of Cinema discuss merits of KEM editing machine.
Victor Duncan Began in Dallas
Victor Duncan was an active motion picture cameraman when he gave up motion picture photography in 19.^9 to organize Victor Duncan. Inc. in Detroit. Mich, to provide a specialized equipment rental and sales firm to serve the area between New York and Hollywood. In 1969. the company opened a branch in Dallas.
Owner Victor Duncan was born and raised in Dallas and began his motion picture career there . . . hut left Dallas twenty years ago because of the lack of motion picture activity there. He opened his Dallas branch last year because of "the fantastic increase of production in the Southwest."
Victor Duncan's Dallas branch Continued on next fuige
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