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jnJed by the same organization, or ponsorcd b\ the same agency. Yet, ley all came in the same year, and one of the sponsors were aware that le other films were being made, let lone that I was writing them. Try to redict the future? Who, in 1968. "ould have predicted that 1 would ■rite four kidney films in 1969? I It isn't alw.iys so haphazard and il»gical. When I received the assignicnt to write the introductory film for ICR's new Century series of comuters. I was told at the first client inference that I had been selected 3Cause they liked the introductory Im I had done for the IBM 360 sev•al years before, but that doesn't sually happen. If that's the real ream. usually the client conceals it. He «ls intuitively that it gives him some nd of psychological "edge" on you > keep you in the dark regarding his asons for having you write the iript. Oh. well, everyone has his own tile games he likes to play — including riters. After all, games are just anher way of keeping \our creative K>\. and you alreadv know wh\ that's ip<.>rtant for a writer — or for anyone.
Panulox is a rci;iiliir column on the jiliu scene, from llw special viewpoint of the writer. Stanford Sohcl is a professional scriptwriter for both television anil film protluc
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, 4241NoniialAva, < Hollywood,Calif.90029'
circle 139 on reader service card
zvhen you bring your dailies in at 2 a.m., a *'sheleton'* ujon't meet you at the door
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We think that when you stay up to all hours completing a day's shooting, you deserve the same quality service as someone who shoots during more conventional "banker's hours'.' That's why we decided that our customers wouldn't have to put up with "skeleton crews" or "limited service schedules."
24 hours a day, 'round the clock, Cineffects Color Laboratory is manned by three complete staffs of skilled laboratory craftsmen. Including supervisory and maintenance personnel. Day or night, we provide the best In additive color printing and processing. Day or night, your film has access to our Hazeltlne Color Analyzers and experienced timers. Day or night, we'll blow up your 16mm film to 35mm with the proficiency we're noted for. Day or night, we'll give you the fastest service on quality processing of your 16mm and 35mm color negatives or your release prints. Day or night, your Color Reversal Internegatlve will be printed on our liquid gate optical bench ... a Cineffects process that gives you a VISIBLY SUPERIOR INTERNEGATIVE.
So when you bring us your film at 2 a.m. and want it ready by 8 a.m., you needn't be scared to death it will be at the mercy of a skeleton crew or restricted service. While you're getting some much needed sleep. Cineffects Color Laboratory will be working to meet your deadline with the most complete line of 'round-the-clock services in New York.
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C//7 Gffects
CO /or /a b oratory inc.
115 West 45th Street, New York, N. Y. 10036
Subsidiary of NATIONAL SHOWMANSHIP SERVICES, INC. circle 115 on reader service card
fML. 1971
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