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ACT I
Scene I
SCENARIO
FOR AN
"NG"
or
"What Every Young Film
Director
Should Know
About
Locations
But Was
Afraid
To Ask"
by John P. Rimo
John Himo is Supenisor, Audio/ Vimat Media, at Bell Laboratories, Murray Hill, NJ.
VIDEO
E.S.
Brightly lit, maybe too brightly lit assembly line.
MLS.
Typical film crew surrounded by
jungle of stanchions, stands and wires.
C.U.
Typical industrial director. Ixx)ks anxious.
M.S.
Typical film crew.
M.S.
Director looks business-like.
L.S.
Plant goes dark.
M.S. Typical crew.
L.S.
Typical shop steward.
Fire in each nostril and smoke
from both heads. Running fast.
E.C.U.
Director looks helpless and uneasy.
AUDIO
Typical factory sounds.
FIRST MEMBER:
"Hey Manny, did you work last weeJ
MANNY:
"Yeah, we did a thing with Newnw
for the Heart Fund. Nice guy.
Did you bring the cards?"
DIRECTOR:
"O.K. you guys, let's get this
scene in the can before lunch."
CREW:
Much laughter.
DIRECTOR:
"Gi\i; mc speed . . . Roll 'em . . . action."
EVERYBODY:
■What the hell!!!" Women scream. Machines groan to a halt
FIRST MEMBER:
"I told you not to put that last
750 on the same line, meathead!"
SECOND MEMBER:
■"Come on you fink, ya never said
nothin."
Pounding feet
DIRECTOR:
"I can't believe I stopped the
whole thing."
A bad dream . . . maybe a good dream because now you'll distribute that fo that's been cluttering up your drawer for the past year.
God, you hate to do it — another piece of paper. But what's better, for you kK)k like a paper-shuffling producer or for good ole George to look like a f© shuffling director. So pass out the paper already. ■'Miss Blue, take this pleat To all members of the motion picture unit. From this day forward and even sk ways, before you move into an area, you will case the joint and fill out this forn
ACT II
Scenes
Typical assembly line.
Typical film crew
surrounded by same equipment.
24
Typical factory sound.
FIRST MEMBER:
"Whatever happened to what's
his name'.'"
SECOND MEMBER:
"Who?"
BUSINESS SCREi