Camera - April 14, 1923 to February 16, 1924 (April 1923-February 1924)

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Wuary 16, 1924 Camera!" The Digest of the Motion I'icturc ln<lustr\ Pace 1 7 Pat O'Brien, <whose recent arrival to the screen marks a contribution from the distributing end of the film ivorld. He has been associated with various distributors in Detroit for the past seven years, and <u-as prominent in that city's motion picture circles since the industry's infancy . Millers I'rophvsiet O. Henry Film Style "One reel ami two reel feature* are coming. They will be the O. Henrys in style and subtlety!" Carl Miller is authority for the above prophecy. He says that the short snappy vaudeville number ha* created a habit of mind for tabloid forms of expression. "Long features bring on with many, weariness of rhe eyes, a ■train on the attention and a consciousness of the long time spent in a picture house," argues the actor. "Many people would welcome shorter features. This would not mean that there would no longer be big productions that would consume two hours or more on the silversheet. But the screen eventually, will have more forms of expression, just as literature has. There are those who prefer the discursive novel, while others like the perfection of form as in the short story. But the short feature is bound to be popular." Mr. Miller is now filling a feature role in "The Rose of the (ihetto" for Grand-Asher. Wiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii 1 1 1 1 1 ■ 1 1 1 1 1 1 1 1 iiiitiiHHiiiiiiiiHiiiiiHiiniiiniiiiiiiiniiiiiininiHiii Send In Your Subscription NOW! Payable in Advance "CAMERA!" 6318 Hollywood Blvd., 1924 Hollywood, Calif. Here's my $ Enter my subscription for the next 52 issues of "Camera!" NAME ADDRESS CITY STATE i iiiiiiiimiimmiimiii ,HI 1 1 H 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 II 1 1 1 1 1 II 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 M t H M II II 1 1 1 1 1 1 1 1 III 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 ! 1 1 1 1 1 1 1 1 1 1 1 1 1 1