Camera secrets of Hollywood : simplified photography for the home picture maker (1931)

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or relatives, he will find his films to be of the most general interest to all viewers, as well as the immediate family, if he has injected into them elements of human interest and action, such as the typical amusing antics and "picklements" which the children will get into. A picture of the child trying to get out of the gate, or through a hole in the fence, or getting into the jam closet, or in the case of a smaller one, going through those strange investigations of a toy, his attention completely centered upon the object of contemplation and totally oblivions to outside happenings, will be twice as interesting a picture to the casual observer as one which is just a pretty picture of the baby being held in someone's arms. These "unconscious'' pictures will take longer to get but will be the ones which will be the most highly cherished in later years, and will be most appreciated by the subjects themselves when they grow up. Taking pictures of the pets of the household will involve the same principles which apply to making movies of the children. What will make the pictures most interesting is to take the time to get them in action, doing something of interest. If it is the family dog, he might be in the act of digging something up or having his bath with his usual bored expression. If it is a litter of new pups, your subject will be easy for comedy if you will just play around long enough to catch them in the unconsciously funny gyrations which they go through. There will be many opportunities to get pictures of the wilder animals, especially if you are in the national parks in vacation time, and it will be necessary here to get the interest of the animal in something, like, for example, the bear and the camera, Scene 87, page 60, or the chipmunk after the nut on a string. Scene 66, page 55. "Down by the Old Mill Stream" and such locations connected with the days of romance have always been the most likely subjects for kodaking and now movie-making. Such pictures will always involve some slight gamble, because if the young lady who is the subject of the photographic studies hap [50 1