Canadian Film Digest (Apr 1973)

Page scan 0005 from Canadian Film Digest

Record Details:

Title:
Canadian Film Digest
Date:
Apr 1973
Volume:
Canadian Film Digest (Apr 1973)
Leaf #:
0005
Language:
English
Subjects:
Motion Pictures, Film Industry Trade Magazine",Canad
Collection:
Global Cinema, Canada, and Hollywood Studio System
Format:
periodicals
Contributor:
Media History Digital Library, Canadian Picture Pioneers, Paul Moore and Jessica Whitehead
Coordinator:
Media History Digital Library
Description:

Canadian Film Digest

Editors: Dan Krendel (1971-72), Garth Drabinsky (1972-76)

Canadian Film Digest (1971-76) was owned and published by Nat Taylor’s Film Publications of Canada, Ltd., and initially edited by Dan Krendel, who had edited What’s New? (1942-74) and originated Ballyhoo (1952-61) for nationally-dominant chain, Famous Players Canada, Ltd., also Taylor’s exhibition partner. Despite these ties to a Paramount-controlled theatre chain, the magazine nonetheless aimed to provide news and features about all aspects of the industry across Canada, exhibition, distribution and production. The Digest began when an attempted 1970 renewal of Canadian Film Weekly (1942-70) was short-lived. Taylor decided to relaunch under an entirely new title with a more contemporary, colour layout. Taylor later hired young Garth Drabinsky to edit, impressed by his initiative publishing Impact (1972), a lobby give-away for moviegoers. Drabinksy’s interest turned to film producing in 1977, letting the Digest come to an end, although he and Taylor continued to collaborate in building the original 18-screen Cineplex at Toronto’s Eaton Centre. Canadian Film Digest also published an annual directory Canadian Film Digest Yearbook (1971-86), which similarly continued Canadian Film Weekly Year Book (1951-70), and subsequently became Film Canada Yearbook (1986-2007). Because Canadian Film Digest originated in the Canadian Film Weekly, which had incorporated Canadian Moving Picture Digest (1917-57), which in turn had merged with Canadian Universal Bulletin (1915-18), the magazine dated its roots back to 1915, a single thread of ownership publishing these main periodicals and annuals of English Canada’s film press.

– Paul Moore, March 2024

Date Added:
August 08, 2024
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Page 6 April 1973 The Canadian Film Digest — i ; : , % ae * VISITORS: Director Francis Mankewicz attended the Lost Horizon producer Ross Hunter met the Daryl Duke attended the Toronto opening of hi. English Canadian premiere of his film Le press at a special lunch given at the Sutton Cinerama-Ambassador release Payday. Temps D'une Chasse, an NFB production. Place hotel. 22 Saal .. . at our ever-growing group of Ne *2s ae the modern theatres. Today's achievements Actress Olivette Thibault met the audience for take the place of future plans. At a special screening of Claude Jutra’s NFB film Mon Oncle Antoine at the Ontario Film Odeon we do it now! Theatre. is This urgency of purpose serves us well, as it serves our film suppliers. | GH Pens aggressive in the achievement of OF rogtess has brought us our hardearned reputation for good theatre management and showmanship. That is why, the future is now at THE ODEON THEATRES (CANADA) LIMITED Kg Donald Pleasance joined director Gerald Potterton for the Mutual release The Rainbow Boys at the Toronto opening. RESULTS OF IMPORTANT SURVEY JUST IN! An exhausted survey among the owner and president of Quinn Laboratories, Mr. Findlay J. Quinn respectively, has just been digested by the computers, wheezing, hissing and zapockating. The key question in sub-section 18C, namely #319 a, b, c, & d, ran as follows: » What, in your unprejudiced opinion, is the overwhelming caus_ative factor in the unprecedented success of your film laboratory; (a) because your people care more, (b) that your technological advances, both (bl) chemical and (b2) mechanical, have revolutionized film processing, (c) that your (cl) size and (c2) ultra-modern procedures have resulted in (c3) faster, (c4) more accurate customer servicing, and that, (d) if given half a chance, you will do even better?” In a firm, clear and unequivocal gurgle, the computer printed out Mr. Quinn’s retort: “T like your style!” QUINN LABS 380 Adelaide Street West / Toronto 2 / 368-301 |