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UNIONS, GUILDS & ASSOCIATIONS 5]
Theatres operating three days or less per week shall pay one-half of the above rates.
For theatres operating for less than 12 months in each year, the fee payable shall be reduced by 1/12th for each full month during the year in which no operations occur.
Minimum fee — $10.
A licence obtained under this item of the tariff shall not be deemed to authorize any concert or stage show when the exhibition of one or more films is not an integral part of the program. Concerts or stage shows in theatres not coming within the aforesaid classification shall be licensed under item No. 11 of the tariff.
COUNCIL OF CANADIAN FILMMAKERS (CCFM)
Box 1003, Station A
Toronto, Ont. MSW 1G5
(416) 869-0716
Officers 1978/79:
Chairperson: Kirwan Cox
Vice-Chairperson: Patrick SpenceThomas
Secretary-Treasurer: Penelope Hynam
Member Organizations:
ACTRA, British Columbia Film Industry
Association, Canadian Film Editors
Guild, Canadian Society of Cinemato
graphers, Directors Guild of Canada,
IATSE 644C, IATSE 873, NABET
Syndicat General du Cinema et Tele
vision (ONF) NFB Union, Canadian
Filmmakers Distribution Centre.
Executive Committee Members: Bob Barclay, Director's Guild Jerry McNabb, CFDC Bob Verrall, SGCT Kirwan Cox, General membership Natalie Edwards, General membership Sandra Gathercole, General membership Jack Gray, ACTRA Peter Harcourt, General membership Penelope Hynam, General membership David Kelly, IATSE 644C Jim Kelly, CFEG Anne Frank, General membership Allan King, General membership Monty Montgomery, IATSE 873 Ken Post, CSC Pattie Robertson, BCFIA Ken Steel, NABET Patrick Spence-Thomas, General membership Aims and Objectives The Council of Canadian Filmmakers is an umbrella organization which represents, through its individual and organiza
tion members, 14,000 film directors, writers, actors, technicians, and production personnel in the English Canadian film and television industry.
CCFM was formed in March, 1973 in response to the growing problems of the film industry. Speaking on behalf of its members, CCFM has presented numerous briefs and interventions to all three levels of govemment in Canada, and has spoken out in public and private forums on the need to improve the situation of the English Canadian film industry.
In the past year, CCFM has continued to press for legislated quota and levy systems to ensure that Canadian films have reasonable access to Canadian theatres, and to ensure that a reasonable percentage of Canadian box office eamings are retumed to Canadian production. The Council has also undertaken extensive research in the area of Pay-TV.
The objective of the Council of Canadian Filmmakers is to promote the development of an indigenous English Canadian film industry by: (1) informing government and the public of the situation in the film industry in English Canada; (2) presenting a unified industry voice in negotiations with goverment, in public forums and in the press; (3) lobbying for the conditions which will make an indigenous film industry viable in Canada.
DIRECTORS GUILD OF CANADA 185 Bay St., Ste. 206
Toronto, Ont. M5J 1K6
(416) 364-0122
P.O. Box 33852, Station D Vancouver, B.C. V6J 4L6 (604) 688-2976
Officers and Executive: President: Bob Barclay 1st Vice-President: John Trent 2nd Vice-President: Sam Jephcott Treasurer: Gwen Iveson Secretary: Don Buchsbaum Wester Rep: Robert Linell Ottawa area Rep: Peter Cock Montreal area Rep: Charles Braive Officers: Vlad Goetzelman, Rene Bonniere, Karen Bromley, Peter Thurling, Ian McDougall
THE FEDERATION OF CANADIAN
FILM AND TELEVISION GUILDS AND UNIONS
105 Carlton St.
Toronto, Ont. M5B 1M2
(416) 363-6335
Chairman: Paul Siren
Representatives: Jack Gray, (ACTRA);
Robert Barclay, Ian McDougall, (DGC);
John Fryd, Michael MacLaverty,
(CFEG).
A Federation of representatives from the Association of Canadian Television and Radio Artists (ACTRA), the Directors Guild of Canada (DGC) and the Canadian Film Editors Guild (CFEG).
Aims and Objectives:
(a) To unite the member Guilds and Unions in combined bargaining with common engagers of the members represented by the Guilds and Unions for the purpose of negotiating collective agreements.
(b) To co-ordinate the activity of the Guilds and Unions in seeking improved legislation and regulations that support the strengthening of a Canadian cultural industry and protect the job interests of the members of the Guilds and Unions in the Federation.
(c) To co-ordinate and unify mutually agreed upon specific organizational activity and services to members.
(d) To raise the standards of training and professional competence of the skills and talents of the categories of work represented by the Guilds and Unions in the Federation.
IATSE — INTERNATIONAL
ALLIANCE OF THEATRICAL
STAGE EMPLOYEES AND
MOVING PICTURE MACHINE
OPERATORS OF THE U.S. AND CANADA
1515 Broadway
New York, N.Y. 10036
(212) 730-1770
International Officers:
President: Walter F. Diehl
General Secretary-Treasurer: James J. Riley
Publicity: Rene Ash
Vice-Presidents: Dick Peters, Frank
Hobbs, Steve D’Inzillo, Adrian Short
Jr., John J. Nolan, J.E. Johnson, John
J. Ryan, Hugh Usher, Al Parizer.
Toronto Motion Picture Projectionists
(IATSE 173)
696 Yonge St., Ste. 404
Toronto, Ont. M4Y 2A7
(416) 923-4161
Business Manager: Graydon Hulse
MANITOBA FILM PRODUCERS ASSOCIATION
67 Sherbrook St.
Winnipeg, Man. R3C 2B2
(204) 774-5521
President: Tom Fletcher
The Association represents Manitoba
producers of documentary, industrial
and commercial films. Its purpose is to
further development of a Manitoba
based film industry.