Canadian Moving Picture Digest (Jun 1921-Apr 1922)

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TORONTO, CANADA.. Page Eleven LOTS SS LMS UML SSL PSS PU SLU STM SL ee LLL SUL Le Now Booking MAHESH: Bryant Washburn IN “The Road to London” ST. JOHN MONTREAL HUTHUNUUOOOACQOONOONOQOOOAQOQONGGOOOOONEQUUUOUOUOUUOOERUUUUCUUUOUUEC QVOCUCUUENEUACUOUUCCUOEUUEC QOQOOQOOOOOOOCHONNONONNOOOOEQUUUUUTUTI ESI HANUOGCQUNUNCAUNGAGNERUVUAAUNEAUANEQUGUEONAUNEY VCQOOUUOOUEOOOUCQUONOOONOONGKIOGOUUCNUONOOE QUUCUOUNUOUOOCONOGOUONOUONO QOOUONOUNNAUOC OUNEHAU NEO ENNCONOUTEAOT HAROLD LLOYD’S BIG COMEDY, “GRANDMA’S BOY,” IS FINISHED AROLD LLOYD'S big feature for Associated Exhibitors “Grandma’s Boy,” is now in New York, the picture left the Hal E. Roach Studios last week. Managers of various theatres where the comedy was previewed and dramatic critics present at the showing of the film are hailing it as Harold Lloyd’s greatest comedy. Digitized by Goc gle SPECIALTY FILM IMPORT LIMITED WINNIPEG TORONTO When “Grandma's Boy” was shown at Hoyt’s theatre, Long Beach, according to the management no picture ever received the ovation as was paid to the Lloyd comedy. At the conclusion of the showing there was continuous applause for ten minutes. “Grandma's Boy,” which runs_ to five reel length, went under production at the Hal E. Roach Studios Oct. 22nd and was the result of five months’ most exacting work with every attention to the minutest detail in the making of the picture, its film Take your patrons along the high road of adventure and SEE London Piccadilly Circus Trafalgar Square Westminster Abbey House of Parliament Whitehall Buckingham Palace The Thames Windsor Castle STU SUS HA PUSH SL SLUTS PP SL SL LL eS TTT UT) CALGARY VANCOUVER CUDUNNUUOCQONUUNOUUNOODEQOUNVOUNOEONNEQUVDONGUEUOOOSUNVOUOUOUOSNCQOUUONDUGGUUECOUONOOOOOOONDC QOSGHDEENIOACSONNUOOGOUOODCQUUEUOONIOUOGCUADUNOUEONODE;SOOGODUONOUNSCOOVENOUUOOOVCQUNGGUORNDUONC OE ADUONOUOOOOCSOOUNOUONOUEOC QOQUUCOUEONOGEOUOOGOUOOOUINKQUOOUUOOOOOIOC QUUCOUONOOEOOEUINNNODOANIERMIs: editing and titling. Screen credit in addition to Harold Lloyd and Mildred Davis playing opposite, goes to Charles Stevenson, the “rival,” Anna Townsend, grandmother, Dick Sutherland, the “rolling stone,” and Noah Young, sheriff. Hal Roach, Jean Havez and Sam Taylor wrote the story, H. M. Walker, the titles, and T. J. Crizer is responsible for the film editing, with the photography by Walter Lundin, who has shot every Lloyd comedy since the comedian wore the horn-rimmed spectacles. Original from NEW YORK PUBLIC LIBRARY