Canadian Moving Picture Digest (Jun 1921-Apr 1922)

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Page Four CANADIAN MOVING PICTURE DIGEST CAMERA CLASSICS NO. FOUR “THOSE WERE THE DAYS” Heyes successfully — launched three excellent issues of their one-reel wonder pictures, now being distributed in Ontario, Quebec, and Manitoba by Educational Films, Ltd., and supported by two of Canada’s leading daily newspapers, Filmcraft is ready with its biggest and best release “Camera Classics Number Four.” It will also be immediately apparent that in Camera Classics Number Four, all previous releases have been eclipsed. With the presentation of “Those Were The Days,” the company is introducing a type of feature that has not hitherto been attempted,—a type of comedy that is to be specialized in by the Canadian firm; and a type of picture that will register a hit with movie fans who have grown almost frantic in their demand for “something new.” “Those Were The Days” is a miniature comedy Canadian Releasing Corp. Presenting Season’s Biggest Pictures to Exhibitors Among the big pictures which the Canadian Releasing Corporation have scheduled for release and which are now available for exhibitors are the following :-— “SISTERS.” “MY OLD KENTUCKY HOME.” “THE BELLE OF ALASKA.” “THE LYING TRUTH.” “DARING DANGER.” “JAN OF THE BIG SNOWS.” “BLUE BEARD JUNIOR.” “THE HIDDEN WOMAN.” “THE CRADLE BUSTER.” “MAN'S LAW AND GOD'S.” “THE SHADOW OF LIGHTNING RIDGE.” “THE JACK RIDER.” “THE FORGOTTEN WOMAN.” “THE BETTER MAN.” “BEYOND THE CROSS ROADS.” “STOLEN MOMENTS.” “THE FIGHTING BREED.” Paramount To Release Three Biggest Features on April 30 Three features considered by Paramount to be among the biggest productions of the year are released by that organization on April 30. They are the Cosmopolitan production, “The Good Provider”; the special all-star comedy, “Is Matrimony A Failure?”, and the John S. Robertson production, “The Spanish Jade.” made for the movies. It presents a possible story in a possible way. It features two honest-to-goodness children who wear their own hair and their regular faces. The hero—or victim— of the plot is just a plain ordinary every-day “dawg”—he would chase alley-cats if he got half a chance— however, every dog has his day, and fortunately our hero’s is only postponed. There’s a reason, and its all most satisfactorily explained in_ this captivating new comedy of childhood so ably titled “Those Were The Days.” Those who have seen it, claim that the comedy has the finesse of an eight-reel feature. It is being heralded as “A program picture in half a reel"—a rapid fire, life-like portrayal of mischievous childhood, crammed with action and humor( titled with uncanny skill, and photographed to perfection. Should The Grand National Be Stopped Is the Question “I earnestly protest against the spectacle at Aintree (where ‘Music Hall’ won the Grand National Steeplechase), this and last year. The fences are ridiculous. Some people go to Aintree to see accidents. ‘The Grand National is a cruel thing.”— Lady Warwick. “The suggestion that the Grand National is cruel is a very ridiculous one. I hope it will continue and that the fences will be in no way altered. Kliminate horses with no chance.”— Lord Derby. Famous Toonerville Trolley Returns to Screen in Comedies The Toonerville Trolley, the Skipper who pilots it, the Terrible Tempered Mr. Bang, the Powerful Katrinka, Cynthia Snoop and many others of the characters made famous through the cartoons of Fontaine Fox are coming to the screen again in a new series of moving picture comedies. The first of these Toonerville Comedies by Fontaine Fox is “The Skipper’s Last Resort,” which is being released in Canada through Canadian Educational. Dan Mason, as the Skipper of the trolley that meets all the trains, is the centre of the fun, heading a committee to investigate a nearby summer resort. When the committee is Google so attracted by the pretty girls that the object of the trip is forgotten they are trapped by the Skipper’s wife and Mrs. Bang. The Toonerville cartoons are known to many millions of readers of the approximately one hundred newspapers in which they are printed. William Russell Appears In A Wall Street Romance For Fox Film Corporation In “Money to Burn,” the Fox picture in which William Russell appears this rugged and popular star once more gets away from Western hills and ranches, and is found in a Wall street office, in the role of a young speculator whom fortune favors at every turn, despite any invitation his adventurous spirit gives for a wallop at his bank account. ‘The story is a fascinating one, as every one will recognize who has read Sewell Ford’s “Cherub Divine,” on which the picture is based. The love theme is most cleverly developed, and the photoplay should prove an unequivocal success on the local . screen. Sylvia Breamer, an excellent actress of very attractive personality, is Russell’s leading woman and Hallam Cooley, long a favorite in Fox pictures, also is in the cast. Irwin Proctor, President Filmcraft, Visits With W. R. Rothacker, Chicago Watterson R. Rothacker, who has been looking in earnest toward the Canadian Laboratory field, was visited last week by Irwin Proctor of Toronto. Mr. Proctor is president of lilmeraft Industries, Ltd. Mr. Proctor and Mr. Rothacker were in conference for a day. Before leaving Chicago Mr. Proctor made a detailed inspection of the Chicago Rothacker plant. Burlesque on “Ten Nights In a Barroom” Added Feature at Casino Theatre Manager Harold Vance, of the Casino Theatre, Ottawa, Ontario, caused quite a laugh during the week of April 24 when he offered a burlesque on “Ten Nights in a Barroom” as an added feature for his programme of pictures when the photoplay attraction bearing the same title was being screened simultaneouslv at the Centre Theatre, Ottawa. Both the picture and the burlesque were billed extensively throughout the city.