Canadian Film Weekly (Jul 12, 1944)

Page scan 0003 from Canadian Film Weekly

Record Details:

Title:
Canadian Film Weekly
Date:
Jul 12, 1944
Volume:
Canadian Film Weekly (Jul 12, 1944)
Leaf #:
0003
Language:
English
Subjects:
Motion Pictures, Film Industry Trade Magazine",Canad
Collection:
Hollywood Studio System, Global Cinema, and Canada
Format:
periodicals
Contributor:
Media History Digital Library, Canadian Picture Pioneers, Paul Moore and Jessica Whitehead
Coordinator:
Media History Digital Library
Description:

Canadian Film Weekly

  • Editor: Hye Bossin (1942-64)
  • Renamed Canadian Film & TV Bi-Weekly (1965-69, editor: Stan Helleur)
  • Renamed Candian Film Weekly(1970, editor: Ed Hocura)

Canadian Film Weekly (1942-70) was edited by Hye Bossin and published by Film Publications of Canada, Ltd., wholly owned by leading exhibitor, Nat Taylor. In the late 1930s, Taylor was head of the Independent Theatre Association and his Toronto-based chain, Twinex-Century (Twentieth Century), was the largest independent circuit in the country. In 1941, however, he negotiated for chain affiliation with upstart Canadian Odeon before leveraging a better deal and greater booking control with nationally-dominant Famous Players Canada, Ltd. No longer independent, he took ownership of the Independent Theatre Association’s semi-monthly magazine, The Canadian Motion Picture Exhibitor (1940-41), installed Hye Bossin as editor, and laid plans to relaunch in January 1942 under a new name, Canadian Film Weekly. This enduring key publication was no longer solely focused on independent exhibitors but instead covered the entire industry on a national scale–exhibition, distribution and production–with some attention given to studio news from New York and Hollywood.

Bossin was a vibrant writer with a canny way with words, admired in the industry in the United States as well as Canada. He was one of a large family who lived above their father’s secondhand shop in the Jewish “ward” downtown in Toronto. His older brother was a bookie with ties to the underground; his younger brother was a famous journalist, protégé of Walter Winchell, and Hollywood screenwriter. In contrast, Hye spent nearly two decades learning the publishing trade in a printers’ shop before trying a stint as a Hollywood publicist, then writing a column for the Toronto Star Weekly before taking Taylor’s offer to edit the Film Weekly. Bossin was central to the creation of the Canadian Film Archive, the Canadian Film Awards, and he wrote some of the first histories of early cinema in Canada, published in the first volumes of the annual Canadian Film Weekly Year Book (1951-70).

In 1957, the Film Weekly had incorporated the rival Canadian Moving Picture Digest (1917-57), and began dating its start to that paper’s earlier start as the Canadian Universal Bulletin (1915-18). Subsequent variants of the Canadian Film Weekly and its yearbooks always claimed their roots all the way back to 1915 and the origins of the film industry trade press in Canada. After Bossin died in 1964, the Weekly’s new editor, Stan Helleur, renamed the magazine Canadian Film & TV Bi-Weekly, scaling back the pace of publishing but adding a purview for television and broadcasting. The annual was renamed similarly, its subtitle amended to “Year Book of the Canadian Entertainment Industry.” An attempted renewal to weekly format in 1970, edited by Ed Hocura, was short-lived and Nat Taylor decided instead to relaunch under an entirely new title, Canadian Film Digest (1971-77) and Canadian Film Digest Yearbook (1971-86).

– Paul Moore, March 2024

Further Reading

  • Bossin, Hye. “Canada and the Film: The Story of the Canadian Motion Picture Industry.” In Canadian Film Weekly Year Book of the Canadian Motion Picture Industry, 21-41. Toronto: Film Publications of Canada, 1951.
  • Moore, Paul. “Chronicling a National History: Hye Bossin’s Canadian Film Weekly and Year Book.” In Eric Hoyt and Kelley Conway, eds., Global Movie Magazines. Berkeley: University of California Press, 2024.

Date Added:
August 01, 2024
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ao Relea sin x lin ate ry Bee cs 0, > g; ¥ ™ a PUP Fin, TEAR se LJ. J. AUEN, President BIGGER and BETTER PRC Play Top Theatres Throughout The Dominion CAPITOL MONTREAL Career Girl Frances Langford Men On Her Mind Mary Beth Hughes TIVOLI TORONTO Girl From Monterey Armida Edgar Kennedy Jack LaRue Harvest Melody Rosemary Lane Johnny Downs Jive Junction Dickie Moore Tina Thayer Men On Her Mind MIDTOWN TORONTO Career Girl LYCEUM WINNIPEG PARADISE VANCOUVER Girl From Monterey You Too Can Play These Bigger And Better PRC Pee DELIVERS Producers Releasing Corporation LIMITED Executive Offices: 277 Victoria St., Toronto, 2, Ont. Canadian FILM WEEKLY OnThe Square with Ave Bossin Pat Was a Good Sport Reports from the dinner which followed the Paramount convention reveal that Pat Hogan, Para’s St. John man, is cool enough under fire to make Job look like an impatient jitterbug. It seemed that Pat was the victim of the help shortage. The fellow who waited on him was obviously new to the job. He messed Pat up something awful. Independent too, and unrelenting his annoying errors. He lit Pat’s cigarette for him, bragging that the King Edward waiters were the best in the city, then decided he would smoke it himself, snatching it from Pat’s lips. Pat’s appetite had been stimulated by spirits and he was a mighty happy fellow while decimating his steak, only to find it grabbed before he was half through. The waiter bumped him all over while removing the dishes, poured water into his tumbler until it ran over the table, dragged used napkins over his head, and accidentally patted his nose with butter. The harrassed Mr. Hogan was getting desperate when the maitre d’hotel intervened in his behalf. There was an argument, with the waiter demanding seven days’ notice and the staff threatening a strike. Pat rose nobly to the occasion, feeling sorry for the little waiter with the foreign dialect, and asked for another chance for him. Not till the dinner was over did he learn that it was all a joke. The waiter was the well-known comedian, Sammy Sales, and he had been hired by Willard O’Neill to give Pat and the others who didn’t know him a going over. Those who were wise to the gag kept straight faces. Tommy Dowbiggen of Montreal put on his party personality, which is slightly rough, and went after Nat Taylor, one of the speakers. Taylor, going along with the Hogan gag, said ‘‘Where did they get that waiter from?” “He must be,” hollered Tommy, “one of Twentieth Century Theatres’ ushers!” * % k Vacation Time I missed the Paramount dinner because I was in Muskoka pitting myself against the sun and a sore loser I was. Muskoka being ’way above sea level, you’re nearer the sun and you don’t know you're burnt until it’s too late because the cool breezes postpone the pain. You could have cooled sulphuric acid on my hide. The amateur doctors got busy on me. I should have learned a lesson from Roly Young, who ended up in chemical baths after a well-intentioned healer without a license steered him wrong about how to beat poison ivy. In my case I was lured into a hot bath. Now I know what to do with Hitler. Just the same, there just can’t be any other place in the world like Muskoka, with its indescribable sunsets and dawns. I retrod some of the territory made famous by the late Indian poetess, Pauline Johnston, whose life would make an excellent movie. It was on Shadow River, about which Miss Johnston wrote one of her finest poems, that I was burnt while fishing. Shadow River and Lily Pond, another poetic spot where the water is blanketed by water lillies, are lovely. Our guide was Clarence Shaw, who knew Pauline Johnston. Shaw is 58 but looks about 40 —a tipoff on what a lifetime in Muskoka can yield. Two lfetimes. You hear some homey humor around a town like Rosseau. I was standing in John Knowles store when a man came in and asked for something. Mr. Knowles gave him the keys to the shed and told him to get it himself with the admonition, ‘Now mind you don’t touch any of my beer.” When.the man had left he turned to me and smiled, ‘He’s the parson.” “That’s not a nice way to talk to the parson,” I said. “Well,” was the answer, “If he don’t like my gate, he don’t have to swing on it!” I was also sabotaged while away. I returned to the Harmony Grill and was showered with congratulations for getting married. It seems that Sylvia and Archie Laurie with Tom Daley dropped in for some ice cream. One of the waitresses asked after me and Sylvia glibly explained that I was away on my honeymoon—a downright lie. Daley, an everynight patron, kept it up. When I showed up it was just in time to stop them from sending me a congratulatory telegram signed “The Harmony Girls,” July 12, oe Ontario toTry Visual 3 Rs = (Continued from Page 1) radio in schools. The Premier made the announcement during his recent speech before the .Lakehead ‘Teachers’ Federation at Fort William, Ontario. Recreational value would be second to education, he said. In discussing juvenile delinquency, which he chose to refer to as parental delinquency, he stated that educational systems today do not use young minds fully and picture for them the opportunities of life itself. (On tario, the latest report of the ee Dominion Bureau of Statistics shows, led all provinces in the conviction of juveniles for delinquency, registering 73 for every 10,000 between the ages of seven to 16.) Particular interest in visual education was indicated earlier by the annual report of the Ontario censor and lately by Premier Drew’s comment on the nature of imported film fare. The latter said recently that Canada was “also under the influence of the extremely powerful propaganda of the films. That it is exceedingly friendly propaganda does not. change the fact that it is propaganda designed to arouse enthusiasm for another nation than Canada,” WANTED Operator, class “B” Licence, for theatre in Southwestern Ontario town. Military ex empt. War workers ineligible. Apply nearest Employment and Selective Service Office. Refer to H.O. 1154. Raftery Re-elected As UA President Officers of United Artists elected at last week’s meeting are Edward C. Raftery, president; George Bagwell and Gradwell Sears, vice-~presidents; Lloyd Wright, secretary; Harry J. Muller, treasurer and assistant secretary; Paul D. O’Brien and Charles E. Millikan, assistant secretaries. Elected to the board of directors were Edward C. Raftery, Charles P. Blinn, Isaac Pennypacker, George Bagnall, Gradwell L. Sears, Neil Agnew, Rex Dennant, H. Claude Mills and Sydney Chaplin. The first three, Raftery, Blinn and Pennypacker, represent the Pickford Corporation; Sears, Agnew and Bagnall for Vanguard Films, Inc.; and the last three, Dennant, Mills and Chaplin, for Charles Chaplin.