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THE PICK OF THE PICTURES |
VOICE of the CANADIAN MOTION PICTURE INDUSTRY
REVIEWS INFORMATION RATINGS
Vol. 10, No. 12
Sudan
with Maria Montez, Jon Hall, Turhan Bey Universal 76 Mins. THIS TECHNICOLOR EYE-FILLER WILL FIND KIDS ITS MOST APPRECIATIVE PATRONS.
“Sudan” possesses a story-book quality and a super-abundance of action that will win it the enthusiasm of the kids. To grownups the film, produced in dazzling Technicolor by Paul Malvern and provided with striking and expansive settings, is little more than something pretty to gaze upon. The story is too infantile to be accepted with a straight face. Maria Montez in fetching costumes is a bait for the men, while Jon Hall and Turhan Bey offer the women something to snap at.
All the tricks known to melodrama have been drawn upon to create excitement in a story that is extremely trite and not expected to carry believability or conviction since it is offered as a fairy tale set in a mythical land in the Sudan.
Miss Montez plays a queen whose father is killed by the royal chamberlain (George Zucco), who puts the blame on Turhan Bey, head of a band of former slaves. Miss Montez and Bey fall in love, with neither identity. Upon discovering who her lover is, the queen condemns him to death only to learn the truth in the nick of time. The windup finds Zucco dead and the lovers reunited. Jon Hall is a thief who helps the lovers. Andy Devine supplies the laughs as Hall’s pal.
CAST: Maria Montez, Jon Hall, Turhan Bey, Andy Devine, George Zucco, Robert
Warwick, Phil Van Zandt, Harry Cording, George Lynn, Charles Arnt. CREDITS: Producer, Paul Malvern; Director, John Rawlins; Screenplay, Edmund L. Hartmann; Cameraman, George Robinson; Art Directors, John C. Goodman, Richard H. Riedel; Sound Director, Bernard B. Brown; Set Decorators, Russell A. Gausman, Leigh Smith; Special Effects, John P. Fulton; Musical Score, Milton Rosen; Musical Direction, Milton Rosen; Film Editor, Milton Carruth.
DIRECTION, Fair. PHOTOGRAPHY, Excellent.
Levey Goes Ham
Jules Levey, ex-Torontonian who produced “The Hairy Ape” and other films, will play a sheriff in his next production, tentatively known as “The Homesteader,” which will have Randolph Scott as its male star.
Maybe Jules is short of a buck or two to hire another actor. If so Ben Geldsaler, Sam Glazer and a few of his old pals will be glad to wire him a few,
REVIEWS FROM FILM DAILY, NEW YORK
Louisiana Hayride
with Judy Canova, Ross Hunter, Richard Lane Columbia 67 Mins.
BLEAK COMEDY CAPERS SURROUND CANOVA’S LATEST EFFORT; MUSICAL NUMBERS PROVE BEST SUPPORT.
Too much nonsense grips the better part of this saga of a hick who sets her heart on a Hollywood career. Judy’s money being the object of Richard Lane’s and George McKay's affection, the two confidence men attempt to sell Judy on investing in a phony producing company. This turns out to be okay for Judy, but the “con” men get their just desserts.
Canova gives a mild-tempered performance but sells her song style to a better advantage. Besides “You Gotta Go Where The Train Goes” and “Rainbow Road,” two stock tunes, ‘Put Your Arms Around Me” and “Shortenin’ Bread,” are featured in the film.
Richard Lane does his best with the comedy situations, which he shares with George McKay, but there is nothing fresh in the treatment.
CAST: Judy Canova, Ross Hunter, Richard Lane, Lloyd Bridges, Matt Willis, George McKay, Minerva Urecal, Hobart Cavanaugh, Eddie Kane, Nelson
Leigh, Arthur Loft, Robert Homans, Russel Hicks.
CREDITS: Screenplay, Paul Yawitz; Story by Paul Yawitz and Manny Seff; Director, Charles Barton; Assistant Director, Rex Bailey; Cameraman, L. W.
-O’Connell; Film Editor, Otto Meyer; Art
Directors, Lionel Banks, Walter Holscher; Set Decorator, John W. Pascoe; Musical Director, M. R. Bakaleinikoff; Sound, Philip Faulkmer; Songs by Kim Gannon, Walter Kent, Jerry Seelen, and Saul
Chaplin. DIRECTION, Fair. PHOTOGRAPHY,
Fair.
Dubbed Russ Films Do Strong Biz
The Russian film boys, Leo (Artkino) Clavir and Izzie (Esquire) Allen are scouring the city for copies of this week’s
Life Magazine with its record~
breaking six-page layout on “Ivan the Terrible,” the Russian Super-Super by Hisenstein. Life calls it a “New Soviet Super Movie” and describes Hisenstein as a ‘combination Hitchcock, Billie Rose, Orson Wells, Noel Coward and C. B. DeMille”.
Looks like a year of big ones for the Russians with “The Rainbow” rolling up top grosses of any Soviet film to date and three new ones in English ready for release,
The Thin Man Goes Home
with William Powell, Myrna Loy MGM 100 Mins.
POWELL-LOY LAUGH-GETTING LINES AND SITUATIONS OVERCOME PLOT STRUCTURE DEFICIENCY.
Notwithstanding that the latest of the Thin Man films is below par for the series, it still has enough entertainment to please the admirers of the William Powell-Myrna Loy combination. Thanks primarily to the presence of the two stars, the offering is able to overcome to a large extent the handicap of a script that doesn’t shine too brightly and a weak plot structure. Considerably in the picture’s favor is the good production Everett Riskin has given the screenplay, which Robert Riskin and Dwight Taylor threw together from a yarn by the former and Harry Kurnitz which takes a lot of time to get going.
Powell and Miss Loy have a fair quota of laugh-getting lines and situations in a story which has them on a visit to the suave sleuth’s home town. The discordant note struck by the sophisticated attitudes of the couple in the midst of simple people sets off most of the comedy. There is a delayed plot about an espionage conspiracy which the hero is called upon to foil.
CAST: William Powell, Myrna Loy, Lucile Watson, Gloria DeHaven, Anne Revere, Helen Vinson, Harry Davenport, Leon Ames, Donald Meek, Edward Brophy, Lloyd Corrigan, Anita Bolster, Ralph Brooke, Donald MacBride, Asta (dog).
CREDITS: Producer, Everett Riskin; Director, Richard Thorpe; Screenplay, Robert Riskin, Dwight Taylor; Based on story by Robert Riskin, Harry Kurnitz; Cameraman, Karl Freund; Musical Score, David Snell; Recording Director, Douglas Shearer; Art Directors, Cedric Gibbons, Edward Carfagno; Set Decorators, Edwin B. Willis, Mildred Griffiths; Film Editor, Ralph E. Winters.
DIRECTION, Good. PHOTOGRAPHY, Good.
Art Knowlton ASN Office Mgr. Here
Arthur J. Knowlton has been appointed office manager for Associated Screen News Limited at Toronto, it is announced by J. J. Chisholm, district manager for the company.
Knowlton first joined the company nearly sixteen years ago. He studied at St. Michael’s College, and served as radio inspector with the Pepartment of Marine, and with Canadian Marconi Company on ships at sea before becoming connected with motion picture and photographic work.
the nun,
$2.00 Per Annum
Till We Meet Again
with Ray Milland, Barbara Britton Paramount 88 Mins.
HIGHLY DRAMATIC FILM CARRIES STRONG APPEAL FOR WOMEN AUDIENCES. :
The prominence given to the work of the heroic Maquis, the French underground fighters, in the liberation of France should help a lot in focussing interest on “Till We Meet Again,” a highly dramatic film. It ought to prove a potent factor in the exploitation of the film, which was produced by David Lewis. The picture is made of the stuff that appeals strongly to women audiences.
Compounded of familiar ingredients, the story tells of a lovely French nun who joins the Maquis in order to assist an American aviator’s escape to England with information vital to the Allied cause. The efforts of the nun and her charge to keep out of the hands of the Nazis make for considerable suspense. At the finish the nun forfeits her life to enable the aviator to complete his mission.
The aviator is played by Ray Milland well enough. Barbara Britton brings tenderness and sensitiveness to her playing of showing considerable promise. The support is generally first-rate.
Director Frank Borzage has injected much humanity into the film.
CAST: Ray Milland, Barbara Britton, Walter Slezak, Lucile Watson, Konstantin Shayne, Vladimir Sokoloff, Marguerite D’Alverez, Mona Freeman, William Edmunds, George Davis, Peter Helmers, John Wengraf, Mira McKinney, Tala Birell.
CREDITS: Associate Producer, David Lewis; Director, Frank Borzage; Screenplay, Lenore Coffee; Based on play by Alfred Maury; Musical Score, David Buttolph; Cameraman, Theodor Sparkuhl; Art Directors, Hans Dreier, Robert Usher; Process Photography, Farciot Edouart; Special Effects, Gordon Jennings; Film Editor, Elmon Veron; Sound, Max Hutchinson, John Cope; Set Decorator, Ray Moyer.
DIRECTION, Good. PHOTOGRAPHY, Good.
USA Thinking About NFB-Type Structure
Robert Riskin of the USA Office of War Information, overseas branch motion picture division, is trying to interest Hollywood in establishing a non-profit documentary production centre.
Intention is to do a job of boosting for USA relations abroad,