Canadian Film Weekly (Jun 27, 1945)

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THE PICK OF THE PICTURES Vol. 10, No. 26 A Tree Grows In Brooklyn with Dorotny McGuire, Jemes Dunn 20th-Fox 128 Mins. FILM VERSION OF BETTY SMITH NOVEL IS DEEPLY HUMAN: DOCUMENT SURE OF BIG GROSSES. Under the astute supervision of Producer Louis D. Lighton and the understanding directorial guidance of Elia Kazan the Betty Smith best-seller has been transformed into screen entertainment so rich in sentiment and human interest that it cannot help winning the applause of the great mass of film-goers, Of imposing box-office stature, the capitally assembled production makes a profound impression with the strength of its emotional arsenal. Its appeal to the heart is undeniable, and its story of simple everyday people has been related with warmth and feeling out of the ordinary. In telling the story of an underprivileged family leading a hand-to-mouth existence the production, thanks largely to an atmospheric treatment that is imposing, paints a vivid and reasonably true picture of life in a poor district of Brooklyn, a generation ago. Many memories will be stirred by all the little details that have gone into the depiction of the trials and tribulations of the Nolan menage. Honesty and sincerity have been employed in filming the Tess Slesinger-Frank Davis adaptation of the novel. Though it may border on the tedious at times, a fault due no little to its excessive length, “A Tree Grows in Brooklyn” has a sense of reality that makes one share the experiences of ‘the characters in a story that mingles smiles and tears. The story, one of frustration and heartache, has Dorothy McGuire and James Dunn as the parents and Peggy Anny Garner and Ted Donaldson as the children, Joan Blondell playing the aunt and Lloyd Nolan as the cop who offers Mrs. Nolan marriage after her husband dies. Miss McGuire is capital. Dunn contributes his best screen performance as the improvident singing waiter who keeps promising better times for his family to no purpose. Young Miss Garner almost steals the film with a profoundly sensitive performance that captures your heart. The others are unlformly good. CAST: Dorothy McGuire, Joan Blondell, -James Dunn, Lloyd Nolan, Peggy Ann Garner, Ted Donaldson, James Gleason, Ruth Nelson, John Alexander, B. S. Pully, Ferike Boros, J. Farrell MacDonald, Adeline De Walt Reynolds, REVIEWS FROM FILM DAILY, NEW YORK Meet Miss Bobby Socks with Bob Crosby, Lynn Merrick Columbia 68 Mins. MODEST MUSICAL IS STRICTLY ENTERTAINMENT FOR THE BOBBYSOCK TRADE. This film capitalizes on the bobby-sock worship of crooning voices, This fact alone makes the Ted Richmond production something for the teen-aged who respond readily to a Frank Sinatra or such. In every respect the entertainment is aimed at young people possessed of nervous feet. The picture itself is a smalltime musical employing to the full the ability of Bob Crosby to deliver a song. The story is completely nonsensical and it is worked out with due regard for the type of audience for which it is intended. Crosby is a crooner discharged from the army who is trying to go places on the air. A jive maniac, Louise Erickson, makes it her business to create a craze for the guy. His rise to attention results in numerous complications of a hilarious nature. Miss Erickson, who has a crush on Crosby, is disappointed when he falls in love with her sister, Lynn Merrick, but she finds consolation elsewhere. CAST: Bob Crospvy, Lynn Merrick, Louise Erickson, Robert White, Howard Freeman, Mary Currier, Pat Parrish, Sally Bliss, John Hamilton, Douglas Wood, Pierre Watkin, Lou Jordan and his Tympany Five, Kim Loo Sisters. CREDITS: Producer, Ted Richmond; Director, Glenn Tryon; Screenplay, Muriel Roy Bolton; Cameraman, George Meehan; Art Directors, Lionel Banks, Carl Anderson; Set Decorator, Louis Daige; Film Editor, Jerome Thoms; Musical Director, Marlin Skiles. DIRECTION, Fair. PHOTOGRAPHY, Good. Celeste Holm's First Broadway star Celeste Holm will play the female lead in “The Bandwagon,” her first role under contract to 20th-Fox. To be filmed in Technicolor, the picture will be produced by William Perlberg and directed by Gregory Ratoff. : George Melford, Mae Marsh, Edna Jackson, Vincent Graeff, Susan Lester, Johnnie Berkes, Lillian Bronson, Alec Craig, Charles Halton, Al Bridge. CREDITS: Producer, Louis D. Lighton; Director, Elia Kazan; Screenplay, Tess Slesinger, Frank Davis; Based on novel by Betty Smith; Cameraman, Leon Shamroy; Musical Score, Alfred Newman; Art Director, Lyle Wheeler; Set Decorators, Thomas Little, Frank E. Hughes; Film Editor, Dorothy Spencer; Special Effects, Fred Sersen; Sound, Bernard Freericks, Roger Heman. DIRECTION, Fine. PHOTOGRAPHY, Fine. Without Love with Speneer Tracy, Katharine Hepburn MGM 111 Mins. SUPREMELY ENTERTAINING COMEDY DRAMA HAS ALL IN _ ITS FAVOR FOR HUGE SUCCESS. The film version of the Philip Barry play ‘Without Love” is supremely palatable screen fare which has everything favorable to its quest for ‘top grosses. Stamped with intelligence and maturity and offered in the most diverting and attractive manner imaginable, the production is distinctly a credit to Producer Lawrence A. Weingarten. While the acting leaves virtually nothing to be desired, the production details are of the finest and the direction of Harold S. Bucquet is outstanding, it is the rich flavor, the smoothness and the smartness of the dialogue in Donald Ogden Stewart's capital screenplay that perhaps makes the strongest impression on the mind. Into the mouths of the players have been placed lines that are a delight to listen to. Dramatic and humorous elements have been skillfully combined in this story of a strange romance between Spencer Tracy and Katharine Hepburn. Tracy is a scientist working on a new type of aviator’s oxygen helmet who sets himself up in the Washington mansion of Miss Hepburn, a widow living within herself. Their marriage is a sort of mutual-assistance pact in which love has no place whatever. How gradually they come to love each other makes for absorbing entertainment. Tracy and Miss Hepburn are perfectly cast. Among the others the biggest hit is made by Keenan Wynn as Miss Hepburn's bibulous cousin sweet on Lucille Ball. CAST: Spencer Tracy, Katharine Hepburn, Lucille Ball, Keenan Wynn, Carl Esmond, Patricia Morrison, Felix Bressart, Emily Massey, Gloria Grahame, George Davis, George Chandler, Clancy Cooper. CREDITS: Producer, Lawrence A. Weingarten; Director, Harold S. Bucquet; Screenplay, Donald Ogden Stewart; Based on play by Philip Barry; Cameraman, Karl Freund; Musicale Score, Bronislau Kaper; Recording Director, Douglas Shearer; Art Directors, Cedric Gibbons, Harry McAfee; Set Decorators, Edwin B. Willis, McClean Nisbet; Special Effects, <A. Arnold Gillespie, Danny Hall; Film Editor, Frank Sullivan. DIRECTION, Fine. PHOTOGRAPHY, Fine, REVIEWS INFORMATION RATINGS $2.00 Per Annum God Is My Co-Pilot with Dennis Morgan, Raymond Massey Warner Bros. 90 Mins. THRILLS AND EXCITEMENT APLENTY IN STIRRING TALE OF HERO’S AIR EXPLOITS. In Col. Robert L. Scott’s book about his exploits as an Army Air Force pilot Warner Bros. has found the material for an unusually stirring film about the air war in the Chinese theatre of operations. Rousing entertainment packed with thrills and redblooded action, the film, very much of a tribute to Gen. Chennault and his intrepid fighting men, is pretty certain to give a strong account of itself at the box office in spite of it being another in the long list of war films that follow a definite pat tern that has become extremely commonplace. Although the story of Chennault’s Flying Tigers is old by now, “God Is My Co-Pilot” retells it interestingly and effectively. It is a human, often moving recital of the great work done by the Flying Tigers in the interests of China’s war against the Japs. The story is told from the point of view of Col. Scott’s participation in the battle in the Chinese skies. The officer learns the fighting ways of the Flying Tigers so well that soon he covers himself with glory in combat against the Japs. Despite Scott’s being ordered grounded by the medico at the end because he is too old to take the gaff any longer, Chennault makes the magnanimous gesture of allowing him to take part in the Flying Tigers’ greatest mission, The film has been well acted under the driving direction of Robert Florey. Dennis Morgan plays Col. Scott and Raymond Massey is Gen. Chennault. CAST: Dennis Morgan, Raymond Massey, Andrea King, Alan Hale, Dane Clark, John Ridgely, Stanley Ridges, Donald Woods, Murray Alper, Joel Allen, Stephen Richards, Warren Douglas, Minor Watson, Philip Ahn, Richard Loo, Frank Tang, Charles Smith, Paul Brook, John Miles, Addison Richards, Bernie Sell, Danny Dowling. CREDITS: Producer, Robert Buckner; Director, Robert Florey; Screenplay, Peter Milne; Based on book by Col. Robert L. Scott; Cameraman, Sid Hickox, Art Director, John Hughes; Film Editor, Folmer Blangsted; Sound, Oliver S. Garretson; _ Set Decorator, Jack McConaghy. DIRECTION, Good. PHOTOGRAPHY, Excellent.