We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.
Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.
©
@
@
THE PICK OF THE PICTURES |j
SO EAFAS,,
VOICE of the CANADIAN MOTION PICTUSE IND
REVIEWS INFORMATION RATINGS
Vol. 10, No. 89
Twice Blessed
with Preston Foster, Gail Patrick, Wilde Twins
MGM 76 Mins.
TAILOR-MADE, FUN-LOVING YARN FOR THE WILDE TWINS WITH DEFINITE FAMILY (APPEAL.
Maintaining a formula of cross-situations, the film dotes on the ‘“which-twin-is-which” idea and offers many amusing bits with the ingratiating Wilde sisters hugging the screen.
Gail Patrick and Preston Foster are cast as parents who have been divorced for seven years because of conflicting conceptions on how to raise children. Both are made the victims of a hoax when the twins, also split by the Court, one a brilliant student, the other a first class jitterbug, decide to go to work on their parents to cement the broken relations.
Much of the action deals with the “acclimating” conditions of the twins as they discover they are best suited to each other’s boy friends, Jimmy Lydon and Marshall Thompson.
Harry Beaumont has directed with a light, entertaining touch, using suitably injected jitterbug dance interludes for novel as well as comedy relief.
CAST: Preston Foster, Gail Patrick, Lee Wilde, Lyn Wilde, Richard Gaines, Jean Porter, Marshall Thompson, Jimmy Lydon, Gloria Hope.
CREDITS: Producer, Arthur L. Field; Director, Harry Beaumont; Screenplay, Ethel Hill; Cameraman, Ray June; Musical Director, David Snell; Musical arrangements, Earl Brent; Dance Routines, Arthur Walsh; Sound, Douglas Shearer; Art Directors, Cedric Gibbons, Hans Peters; Set Decorators, Edwin B. Willis, Richard Pefferle; Film Editor, Douglas Biggs.
DIRECTION, Good PHOTOGRAPHY, Good.
Theatre Reopens at
Three Rivers, Que.
Rialto Theatre, Three Rivers, Quebec, reopened for business recently after having been closed for several months due to heavy fire and smoke damages suffered last spring. The house is now completely renovated.
It has been fitted out with the latest type of seats, designed for the greatest comfort. New sound equipment has been installed and new lighting fixtures have been added as part of the redecoration.
Sarto Robert, manager of the theatre, reports that attendance figures have remained high ever since the reopening.
The Rialto is a Famous Players house seating 527.
REVIEWS FROM FILM DAILY, NEW YORK
a Se Within These Incendiary ThoseEndearing
Walls
with Thomas Mitchell, Mzry Anderson, Edward Ryan
20th-Fox 71 Mins.
MODEST BUT WELL PRODUCED MELODRAMA CAPABLY ACTED SHOULD DO OKAY.
A tight little melodrama—such is “Within These Walls.” Capably produced by Ben Silvey, the film keeps the interest engaged pretty well throughout and moves at a fast clip under the direction of Bruce Humberstone, who has brought much excitement to some of the incidents in this tale of a warden who is faced with the task of restoring discipline in a prison seething with discontent.
Thomas Mitchell carries the acting burden as the embattled warden who gives up a judgeship to tackle the job of re-establishing law and order among the prisoners. The film takes a strong dramatic turn and acquires added human interest when the warden’s own boy (Edward Ryan) becomes one of his criminal charges. Death in an attempt to foil a jail break brings the lad redemption.
There is the suggestion of a romance in which the principals are Mary Anderson, the warden’s daughter, and Mark Stevens, a prisoner who has taken the rap for another.
The film’s prospects are aided considerably by the acting. Mitchell is forceful as the warden. Others who win attention for themselves are Ryan, Stevens and Roy Roberts, the leader of the attempted jail break.
CAST: Thémas Mitchell, Mary Anderson, Edward Ryan, Mark Stevens, B. S. Pully, Roy Roberts, John Russell, Norman Lloyd, Edward Kelly, Harry Shannon, Rex Williams, Ralph Dunn, Dick Rush, William Halligan, Freddie Graham, Joseph Bernard, Jack Daley, Louis Bacigalupi, Otto Reichow, Charles Wagenheim, Frank Scannell, Lennie Bremen, Steve Olsen, Harry Strang, Bob Perry, Paul Newlan, James Flavin, Eddie Hart, Dick Rich, Max Wagner.
CREDITS: Producer, Ben Silvey; Director, Bruce Humberstone; Screenplay, Eugene Ling, Wanda Tuchock; Based on story by Coles Trapnell, James B. Fisher; Cameramen, Glen MacWilliams, Clyde De Vinna; Art Directors, Lyle Wheeler, Richard Irvine; Set Decorators, Thomas Little, Ernest Lansing; Special Effects, Fred Sersen; Sound, George Leverett. Harry M. Leonard; Musical Score, David Buttolph; Musical Director, Emil Newman.
DIRECTION, Good. PHOTOGRAPHY, Good.
"Behind City Lights’
Lynne Roberts and Peter Cookson are the stars of Republic’s “Behind City Lights,”
Blonde
with Betty Hutton, Arturo de Cordova Paramount 113 Mins.
FILM BASED ON TEXAS GUINAN’S LIFE SHOULD RECEIVE A SMASH RECEPTION; HUTTON .A Wow.
The life of the fabulous Texas Guinan has inspired the production of a Technicolor eye-opener that has everything to win it a smash reception at the box office. “Incendiary Blonde” is an uninhibited show rich in drama, comedy, romance and music, all of which, when combined, spell popular entertainment of unusual merit. Here is diversion that is delivered with that punch and abandon that typified the period when Tex was riding high as the queen of the night clubs. That there is not one dull moment in its almost two hours of running time is attributable to the happy combination of talents negotiated by Paramount in making the film.
The picture is a personal triumph for Betty Hutton, who is at her hoydenish best as Texas Guinan. What a bombshell she is in the role—a role which gives her generous opportunity to exercise every facet of her talent. It is no exaggeration to say that she carries the film.
The film has been produced on a lavish scale. The Technicolor camera work helps to capture the flavor of Tex Guinan’s times. Musical and production numbers, many of them stirring memories of days gone by, are strewn through the film with a prodigal generosity.
Miss Hutton’s support is excellent. Arturo de Cordova, as Tex’s supreme love, is a standout. Others contributing excellent performances are Bill Goodwin as Tex’s husband, Barry Fitzgerald as her pop and Charlie Ruggles as an old pal.
CAST: Betty Hutton, Arturo de Cordova, Charlie Ruggles, Albert Dekker, Barry Fitzgerald, Mary Phillips, Bill Goodwin, Edward Ciannelli, The Maxellos, Maurice Rocco, Ted Mapes, Charles C, Wilson, Maxine Fife, Carlotta Jelm, Ann Carter, Billy Lechner, Eddie Nichols, George Nokes, Robert Winkler, Patricia Prest, Billy Curtis, Edmund MacDonald, Don Costello.
CREDITS: Director, George Marshall; Screenplay, Claude Binyon, Frank Butler.
DIRECTION, Good. PHOTOGRAPHY, Fine.
"Dark Corner’ Murder
“The Dark Corner,” 20th Century-Fox psychological murder mystery, will have Clifton Webb and William Bendix playing the top roles.
$2.00 Per Annum
Young Charms
with Robert Young, Laraine Day
WARTIME ROMANCE WELL DIRECTED AND ACTED, WITH APPEAL TO AUDIENCES GENERALLY.
From Edward Chodorov’s play, via Jerome Chodorov’s screenplay, Bert Granet has produced a pleasant boy-meets-girl screen yarn whose central motif is the necessity of sacrificing pride in the critical stage of romance, so
that regret will not stalk through one’s future.
Robert Young and Laraine Day are the important sides of a triangle, with filmland’s very promising newcomer, Bill Williams, the remaining side. The latter, an Air Corps mechanic, makes the blunder, insofar as his own heart interest is concerned, of introducing to Laraine Day the buddy from his town, the magnetic Young, an Air Corps lieutenant. The girl, infatuated and finally head-over-heels in love with the suave and rather consciousless officer, succeeds in the final two minutes of the film in saving their romance, as her mother, under similar circumstances, failed to do in World War I.
It is good pop entertainment which average audiences will like. The story, virtually throughout its length, builds up the rather unlikable qualities of the character assigned to Young. Consequently, one is apt to find little reason, outside of the mysterious ways of love, why Laraine Day tights so eagerly to win the officer. A well-chosen supporting cast give the film solidity, particularly the skillfull Ann Harding, as the mother.
CAST: Robert Young, Laraine Day, Ann Harding, Mare Cramer, Anne Jeffreys, Glenn Vernon, Lawrence Tierney, Norma Varden, Vera Marshe.
CREDITS: Director, Lewis Allen; Producer, Bert Granet; Screenplay, Jerome Chodorov; Author, Edward Choderov; Executive Producer, Sid Rogell; Music by Roy Webb; Musical Director, C. Bakaleinikoff; Cameraman, Ted Tezlaff; Art Directors, Albert S. D'Agostino, Walter E. Keller; Set Decorations, Darrell Silvera, John Sturtevant; Recording Director, Richard Van Hessen; Film Editor, Roland Gross.
DIRECTION, Good. PHOTOGRAPHY, Ditto,
Para Comedy-Drama
Ray Milland, Teresa Wright and Brian Donlevy will be astarred in “The Trouble With Women,” a Paramount comedydrama under the direction of Sydney Lanfield.