Canadian Film Weekly (Dec 3, 1947)

Page scan 00012 from Canadian Film Weekly

Record Details:

Title:
Canadian Film Weekly
Date:
Dec 3, 1947
Volume:
Canadian Film Weekly (Dec 3, 1947)
Leaf #:
00012
Language:
English
Subjects:
Motion Pictures, Film Industry Trade Magazine",Canad
Collection:
Global Cinema, Canada, and Hollywood Studio System
Format:
periodicals
Contributor:
Media History Digital Library, Canadian Picture Pioneers, Paul Moore and Jessica Whitehead
Coordinator:
Media History Digital Library
Description:

Canadian Film Weekly

  • Editor: Hye Bossin (1942-64)
  • Renamed Canadian Film & TV Bi-Weekly (1965-69, editor: Stan Helleur)
  • Renamed Candian Film Weekly(1970, editor: Ed Hocura)

Canadian Film Weekly (1942-70) was edited by Hye Bossin and published by Film Publications of Canada, Ltd., wholly owned by leading exhibitor, Nat Taylor. In the late 1930s, Taylor was head of the Independent Theatre Association and his Toronto-based chain, Twinex-Century (Twentieth Century), was the largest independent circuit in the country. In 1941, however, he negotiated for chain affiliation with upstart Canadian Odeon before leveraging a better deal and greater booking control with nationally-dominant Famous Players Canada, Ltd. No longer independent, he took ownership of the Independent Theatre Association’s semi-monthly magazine, The Canadian Motion Picture Exhibitor (1940-41), installed Hye Bossin as editor, and laid plans to relaunch in January 1942 under a new name, Canadian Film Weekly. This enduring key publication was no longer solely focused on independent exhibitors but instead covered the entire industry on a national scale–exhibition, distribution and production–with some attention given to studio news from New York and Hollywood.

Bossin was a vibrant writer with a canny way with words, admired in the industry in the United States as well as Canada. He was one of a large family who lived above their father’s secondhand shop in the Jewish “ward” downtown in Toronto. His older brother was a bookie with ties to the underground; his younger brother was a famous journalist, protégé of Walter Winchell, and Hollywood screenwriter. In contrast, Hye spent nearly two decades learning the publishing trade in a printers’ shop before trying a stint as a Hollywood publicist, then writing a column for the Toronto Star Weekly before taking Taylor’s offer to edit the Film Weekly. Bossin was central to the creation of the Canadian Film Archive, the Canadian Film Awards, and he wrote some of the first histories of early cinema in Canada, published in the first volumes of the annual Canadian Film Weekly Year Book (1951-70).

In 1957, the Film Weekly had incorporated the rival Canadian Moving Picture Digest (1917-57), and began dating its start to that paper’s earlier start as the Canadian Universal Bulletin (1915-18). Subsequent variants of the Canadian Film Weekly and its yearbooks always claimed their roots all the way back to 1915 and the origins of the film industry trade press in Canada. After Bossin died in 1964, the Weekly’s new editor, Stan Helleur, renamed the magazine Canadian Film & TV Bi-Weekly, scaling back the pace of publishing but adding a purview for television and broadcasting. The annual was renamed similarly, its subtitle amended to “Year Book of the Canadian Entertainment Industry.” An attempted renewal to weekly format in 1970, edited by Ed Hocura, was short-lived and Nat Taylor decided instead to relaunch under an entirely new title, Canadian Film Digest (1971-77) and Canadian Film Digest Yearbook (1971-86).

– Paul Moore, March 2024

Further Reading

  • Bossin, Hye. “Canada and the Film: The Story of the Canadian Motion Picture Industry.” In Canadian Film Weekly Year Book of the Canadian Motion Picture Industry, 21-41. Toronto: Film Publications of Canada, 1951.
  • Moore, Paul. “Chronicling a National History: Hye Bossin’s Canadian Film Weekly and Year Book.” In Eric Hoyt and Kelley Conway, eds., Global Movie Magazines. Berkeley: University of California Press, 2024.

Date Added:
August 14, 2025
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

Canadian FILM WEEKLY There was plenty of fun at Charlie Mavety’s Circle M Ranch uring a recent afternoon and evening when Oscar Hanson gave one of his famous parties. aig the left panel (down) the first photo shows Arthur Gottat Film Lab; Oscar Hanson, the host, in character; and Ray mre Alliance Films. Second photo — Gottlieb, Hanson, Char© Mavety and Nat Taylor, Twentieth Century Theatres. Third Photo — Jack Arthur, Famous Players; Hye Bossin, Canadian Film Weekly; and Charlie Weiner, Selznick Releasing. | Lulu Belle’ Cast a bate rge Montgomery, Otto saa » Glenda Farrell and Greg oF "4 have been added to the Re of Columbia’s Dorothy LaY starrer, “Lulu Belle,” Disney Purchase Walter Disney has acquired Ellis Parker Butler’s comedy, “Pigs Is Pigs,” from the Butler estate for a feature-length cartoon which may star Donald Duck. ‘Loves Of Carmen’ Ron Randell and Victor Jory have been cast in Columbia’s Technicolor film, “The Loves of Car men.” Page 13 In the right panel (down) we see Frank Kershaw, Vancouver, and Dave Ongley, Toronto, with a couple of femme guests. Second photo — Rube Bolstad and John Fitzgibbons of Famous Players with O. J. Silverthorne, Ontario censor. Third photo — Harry Law of Eagle-Lion serves the ladies. In the inset Morris Stein, Ben Geldsaler and John Fitzgibbons seem to have reached a Serious note, one that doesn’t seem to meet with the approval of the Indian chief above them. "Noose Hanas High' Rita Hayworth, Glen Ford, Costello starrer Hangs High.” Cathy Downs will have the feminine lead in the Abbott and at Eagle-Lion Hollywood Studios, “The Noose : ' ’ aS wan 2 ec. “Ay v