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THE PICK OF | THE PICTURES |
Vol 14, No. 31
The Red Menace
with Robert Rockwell, Hanne Axman. Empire-Universal 81 Mins.
VISUALLY COMPELLING, DRAMATICALLY EMPHASIZED EXPOSE OF COMMUNIST INFILTRATION, TRICKERY, INTRIGUE, DEADLY SERIOUS STUFF. HIGH EXPLOITATION POTENTIAL.
Having been deluged with printed disclosures of the inner workings of the Communist Party in America which depicted much of the material that is visually and dramatically emphasized in this Herbert J. Yates production, the public bringing to the theatre their facts, figures and repulsions, will view a well made documentation.
It is deadly serious stuff. That it does not have a high performance polish this first time is not an important matter. It is revelatory, makes no bones about its intent.
Robert Rockwell, playing 2 veteran, turns from a raw deal in real estate to the bait thrown out by the Party. Sex is the first snare. Then he meets up with an instructor and takes to the interpretation of Marx, Engels, Lenin and Stalin, working up to a point where he is soon to receive his party card.
En route he is permited to obServe the case of a protesting, inquisitive comrade who is murdered, his death blamed on fascists. A Jewish poet leaps to his death from an office window. A young girl departs her lush apartment, returns to her family. A Negro writer decides he’s had enough. But the alert suspicions of the party chieftains cause Rockwell and his girl, Hanne Axman, to flee after an encounter with the well known goons. By this time the authorities are closing in, Betty Lou Gerson, a comrade, female variety, is taken by immigration authorities.. She fairly blows her top as she reveals complicity in a mumder. Rockwell and Miss Axman conclude in Texas where they meet a sheriff who explains there is no reason for their panic.
CAST: Robert Rockwell, Hanne Axman, Betty Lou Gerson, Barbara Fuller, Shepard Menken, Lester Luthor, William J. Lally.
CREDITS: Producer, Herbert J. Yates; Director, R. G. Springsteen; Screenplay, Albert Demond, Gerald Geraghty; Story, Albert Demond; Photography, John MacBurnie,
pIREC TION: Adequate. PHOTOGRAPHY: ood.
Lippert Buys Story Robert L. Lippert has bought
H. Cole’s original, The Abilene Kid.
« —— ae VOICE of the CANADIAN MOTION PICTURE INDUSTRY
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REVIEWS FROM FILM DAILY, NEW YORK
The Forbidden Street
with Dana Andrews, Maureen O’Hara, Dame Sybil Thorndike.
20th-Fox 91 Mins.
TASTEFULLY HANDLED VERSION OF “BRITANNIA NEWS.” SUSTAINS INTEREST. PROVES ITSELF A_ DIVERSION. FEMININE AUDIENCE INDICATED. WELL TURNED OUT PRODUCTION.
Jean Negulesco has directed this film version of Margery Sharp’s novel, “Britannia Mews,” with a tasteful hand which takes the essence of the story and smoothly translates it into film terms.
The plot is concerned with problems of domesticity and family difficulties, Britannia Mews is a mean street—more of an alley—and the people who inhabit it are fairly downtrodden individuals, given to swilling gin, carousing and taking advantage of the gullible innocents who happen to stray there.
After Maureen O’Hara marries Andrews, her drawing instructor, against the wishes of her family, she goes to live with him in Britannia Mews at his studio. He has little ambition to rise above tthe squalor, devoting his time to making puppets. He has a painting in work but neglects it. Then he takes to drink. It is no bed of roses for Miss O’Hara and shortly afterwards Andrews dies in an accident—falling down a flight of stairs when he is potted. Dame Sybil Thorndike—“The Sow”—who lives across. the street proceeds to blackmail the widow making her believe Andrews’ death was not a mishap.
Miss O’Hara stays on at the Mews under Dame Sybil’s thumb until a young lawyer who is on his uppers (also played by Andrews) comes along. They take up and “The Sow” is told off. A showman evinces interest in the puppets. A show is put together and the Mews becomes a novel theatrical experience for jaded Londoners, Miss O’Hara’s brother finds her. He is puzzled by the relationship of his sister and Andrews, thinking them to be hus
band and wife.
In good time the situation resolves itself sensibly.
CAST: Dana Andrews, Maureen O'Hara, Dame Sybil Thorndike, Fay Compton, A. E. Matthews, Diane Hart, Ann Butchart.
CREDITS: Producer, William Perlberg; Director, Jean Negulesco; Screenplay, Ring Lardner, Jr.; From the novel by Margery Sharp; Photography, Georges Perinal.
DIRECTION; Tasteful. Fino,
PHOTOGRAPHY:
The Girl From Jgones Beach
with Ronald Reagan, Yirginia Mayo, Eddie Bracken, Dona Drake.
78 Mins.
NICELY TURNED OUT ROMANTIC COMEDY. SHOULD PROVE YERY WELCOME LIGHT FARE FOR THE WARM WEATHER,
Nicely turned out romantic comedy, a bit daring and eyebrow raising in spots but otherwise very much welcome for the current season. Additionally there is Virginia Mayo in quite a few changes of bathing costume and a bevy of other pretties who contribute to the attentionholding factor while the story gets around to its motivation.
A. $100,000 television contract calling for the services of Ronald Reagan and his famous “Randolph” girl is pursued by Eddie Bracken when he is not telling his sweetie, Dona Drake, that he is about to commit suicide due to his constant frustrations. In order to get Reagan interested Bracken reveals his knowledge that the girl is not one female but various parts of a dozen.
He interests Reagan in Virginia Mayo whom he spotted
Warners
while off Jones Beach in a row.
boat — another suicide attempt. Miss Mayo is a schoolteacher who would rather commune intellectually. She also teaches American citizenship at night. Reagan joins her evening classes, passes himself off as a Czech. In short order his disguise is fouled up.
Arranging 2 conciliatory meeting at the beach, Reagan is on the scene when Miss Mayo shows up in a bathing suit. Bracken pulls a photo stunt that makes the papers and also has Miss Mayo suspended from teaching. The faculty thinks it’s scandalous. In court the propriety of the costume is argued with films showing the latest in French scanties to the suits grandmother wore.
As judge in the case Henry Travers orders Miss Mayo reinstated, dates his old girlfriend, Florence Bates. Miss Mayo makes quite a few photographic compositions for the courtroom press before she and Reagan go into the inevitable clinch.
CAST: Ronald Reagan, Virginia Mayo, Eddie Bracken, Dona Drake, Henry Trayers, Lols Wilson, Florence Bates, Jerome Cowan.
CREDITS: Producer, Alex Gottlieb; Director, Peter Godfrey; Screenplay, I. A. L. Diamond; Original story, Allen Boretz; Photography, Carl Guthrie.
DIRECTION; Slick. PHOTOGRAPHY: Fine.
REVIEWS INFORMATION RATINGS \|
$2.00 Per Annum
Neptune’s Daughter
with Esther Williams, Red Skelton, Betty
Garrett, Ricardo Montalban, Keenan Wynn.
MGM 93 Mins.
ANSWERS THE SHOWMAN‘S PRAYERS FOR THE DOG DAYS. HAS PLENTY DIVERSION SHREWDLY CALCULATED AND EXECUTED FOR THE PLUS SIDE. LAVISH JOB.
Scheduled to hit the screens just as the dog days in exhibition are at hand, Neptune’s Daughter might be likened to the showman’s prayers being answered. Audiences and exhibitors alike can get enthusiastic, very enthuwsiastic, about this picture.
You have liberal servings of varied diversion here. There are well filled bathing suits which most of the audience (99.44%) will find absorbing; Betty Garrett and Red Skelton make with the romantic tomfoolery, smartly and highly laffable; Xavier Cugat
and “Norma” are spotted in a
couple of tropical song and dance numbers that really warm up to the outside temperature, and Miss Williams sells bathing suits while keeping Ricardo Montalban at a safe distance.
Then, too, there is that juke box nickel taker, “Baby It’s Cold Outside.” The song is one of the half dozen plus highlights of the show which is generally a light, breezy, easy-to-take offering that Edward Buzzell shrewdly calculated and executed for the plus side.
It is Keenan Wynn’s lot to carry the torch for Miss Williams only to have it flicker out at the conclusion as he gets the bathing suit business. Montalban gets the girl. The screenplay by Dorothy Kingsley, embellished by the apparent wit of Ray Singer and Dick Chevillat is brisk, slick, right. The situations and gags are neatly combined with water spectacle, girl spectacle, a screwball polo game and a basic plot motivation using that oldie wherein an elder sister tries to protect her younger sister from the wolfish clutches of a South American only to learn after a great deal of merriment that it is a case of mistaken identity.
CAST: Esther Williams, Red Skelton, Keenan Wynn, Betty Garrett, Ricardo
or Xavier Cugat, Ted de Corsia,
CREDITS: Producer, Jack Cummings; Director, Edward Buzzell; Screenplay, pera Kingsley; Photography, Charles osher,
DIRECTION: Fine. PHOTOGRAPHY: Excellent,
"Sands Of Iwo Jima’
John Wayne and Adele Mara will star in Republic’s Sands of Iwo Jima.
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