Canadian Film Weekly (Nov 28, 1956)

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THE PICK OF | THE PICTURES | REVIEWS INFORMATION RATINGS Vol. 21, No. 46 REVIEWS FROM THE FILM DAILY, NEW YORK Page 7 TEENAGE REBEL with Ginger Rogers, Michael Rennie, Betty Lou Keim. 20th-Fox (CinemaScope) 94 Mins. DRAMA OF MOTHER-DAUGHTER CONFLICT WITH ENTIRE-FAMILY APPEAL. Mother and daughter have a stormy time of it trying to rediscover one another atter a parting of eight years in Teenage Rebel. The picture often is superior in story content to the average film and is put together with fine production polish. Its appeal is for the entire family and should make a satisfactory showing at the boxoffice. Ginger Rogers plays the attractive mother, Michael Rennie her second husband and Betty Lou Keim the hostile and disagreeable daughter, made so by a lack of love and understanding. Throughout the Charles Brackett production which Edmund Golding directed are brisk-moving interludes with the younger generation and their rhythms. Thus the youngsters have their rock-and-roll sessions, stock car races and exuberant dances. The music by Leigh Harline and the photography by Joe MacDonald play an important role in the picture’s overall effectiveness. Mildred Natwick plays a next house neighbor, while Diane Jergens and Warren Berlinger are her children, and Rusty Swope plays the impish youngster of Miss Rogers and Rennie. The latter performs with his accustomed and pleasing suavity. For a large part of the film’s beginning, Miss Rogers cavorts about in shorts, proving that time has played no havoc with her figure. CAST: Ginger Rogers, Michael Rennie, Mildred Natwick, Rusty Swope, Lili Gentle, Louise Beavers, Irene Hervey, John Stephenson, Betty Lou Keim. CREDITS: Producer, Charles Brackett; Director, Edmund Goulding; Screenplay by Walter Reisch and Charles Brackett; From the play by Edith Sommer. DIRECTION: Good. PHOTOGRAPHY: Good. 20th-Fox, Titanus To Make Five Pictures Five films, to be shot in CinemaScope in Europe on a budget of between $500,000 and $600,000 each, will be made by 20th-Fox and Titanus Films under a co-production deal recently negotiated. Titanus will release two of the films in Italy and 20th-Fox the other three, as well as releasing all five in the rest of the world. They will be made in a foreign language and slanted for the international market. All will be produced at the Titanus studios in Rome, the largest in Continental Europe. ATTACK with Jack Palance, Eddie Albert, Lee Marvin, Robert Strauss. United Artists 107 Mins. ALL-MALE CAST REGISTERS IN WARTIME PSYCHOLOGICAL STUDY. BATTLE ACTION __ INTERSPERSED WITH CHARACTER DELINEATIONS SHOULD HOLD MOST AUDIENCES. The story of a group of men whose morale has been weakened by their cowardly-commanding officer, Attack! has been the recent subject of Congressional and Army controversy which never yet has hurt the boxoffice. Produced and directed by Robert Aldrich, from Norman Brooks’ Broadway play, The Fragile Fox, the screenplay is credited to James Poe. He has done a capable job of delineating his characters in the mixed group assembled under Army captain Eddie Albert. Lee Marvin contributes a good performance as Albert’s superior, forced to ignore the situation because of back-home political interests. Jack Palance is forceful and sincere as the indignant lieutenant who wants Albert removed. Noteworthy, also, are Robert Strauss, Buddy Ebsen, William Smithers and Richard Jaeckel. The all-male cast presents a plausible picture of action under fire during World War II, with some very good action shots interspersed through the character studies by director Aldrich. CAST: Jack Palance, Eddie Albert, Lee Marvin, Robert Strauss, Richard Jaeckel, Buddy Ebsen, William Smithers. CREDITS: An Associates and Aldrich Co. presentation; Producer, director, Robert Aldrich; Screenplay, James Poe; From the stage play by Norman Brooks; Assistant producer, Walter Blake. DIRECTION: GOOD. PHOTOGRAPHY: Well Done. Taina Elg Cast In ‘Les Girls’ Taina Elg will star with Gene Kelly, Mitzi Gaynor and Kay Kendall in MGM’s Les Girls. JULIE with Doris Day, Louis Jourdan, Barry Sullivan, MGM 99 Mins. MELODRAMA OF FLIGHT AND PURSUIT. HAS BOXOFFICE CAST AND GOOD PRODUCTION VALUES. SHOULD DO WELL. Doris Day finds herself the target of an obsessed husband’s drive for vengeance in Julie. The picture maintains a tension from beginning to end that will keep the fans riveted with attention. The overall production effect is rather good too, even though the story here and there shows the mark of contrivance. An offscreen title song is sung by Miss Day at the beginning and she handles the tune with felicity. All told, the picture should rate well with the average customer. The picture is a relentless flight and pursuit. Miss Day’s second husband is Louis Jourdan, a man of brooding, tortured instabilities. Barry Sullivan is Miss Day’s friend and Frank Lovejoy is a detective who finally awakens to her danger. The team of Andrew L. Stone, director and writer; Martin Melcher, producer, and Fred Jackman, Jr., director of photography, have combined to wring every ounce of excitement out of the story. CAST: Doris Day, Louis Jourdan, Barry Sullivan, Frank Lovejoy, John Gallaudet, Harlan Warde, Jack Kruschen, CREDITS: Producer, Martin Melcher; Director, Andrew L. Stone; Written by Stone, Director of photography Fred Jackman, Jr. DIRECTION: Very Good. PHOTOGRAPHY: Okay. WB's "Damn Yankees’ George Abbott will produce Damn Yankees, top-ranking Broadway musical, as a motion picture for Warner Bros., with production scheduled for early 1957. The play, authored by Abbott and Douglas Wallop, will be produced by Abbott in association with Frederick Brisson, Robert E. Griffith and Harold S. Prince. MPAA-COMPO FOLLOW MPICC LEAD As Canadian exhibitors began giving some thought to the next Oscar public participation contests, a sub-committee of the Motion Picture Association of America’s advertising and publicity group decided to join the Council of Motion Picture Organizations in an American version of them. The MPAA committee was led to take this step after hearing C. S. Chaplin, UA general manager in Canada, describe the experience and results of Canada’s Oscar contest, inaugu rated last year. Canada will not tie in with the USA contest, which will be the first national one of that kind there, it having been tried in Texas. The public relations committee of the Motion Picture Industry Council of Canada, of which Chaplin is chairman, sponsored the contest under his general chairmanship last year and has decided to go ahead again. It is not unlikely that this year someone will be hired as adminis trator of the contest. : General Motors, which provided four Oldsmobiles last year for big-city prizes and got trailer-boosting for the cars and the contests in those places, is expected to broaden its participation this year. YOU CAN'T RUN AWAY FROM IT with June Allyson, Jack Lemmon, Charles Bickford. Columbia 95 Mins. (CinemaScope-Technicolor) BRIGHT, LIGHT COMEDY-WITH-MUSIC WHICH HAS MOMENTS OF HIGH HILARITY. ALLYSON AND LEMMON SCORE IN THEIR ROLES. POWELL’S DIRECTION IS WELL PACED. Dick Powell’s musical re-make of the famous Capra-Colbert-Gable comedy hit, It Happened One Night, has turned out exceedingly well, Co-starring June Allyson and Jack Lemmon, the film bounces along sparkling with the witticisms of Messrs. Binyon and Riskin. Their screenplay, based on the short story by Samuel Hopkins Adams, has many moments of high hilarity which will be appreciated by audiences. Photographed in CinemaScope and Technicolor by Charles Lawton, Jr., the picture covers many locations provided by producer Powell as his story winds its way from California to Texas, via Greyhound. Miss Allyson and Lemmon are excellent in their roles, proving once again their prowess in the comedy field. Supporting actors include Paul Gilbert, Jim Backus, Stubby Kaye, Allyn Joslyn and Henny Youngman. Gilbert scores in a small, but effective, role of a hep-talking “bus wolf.” Although it would seem that the musical numbers interspersed through the footage were not really necessary, their addition is a pleasant one. Written by Johnny Mercer and Gene De Paul they’ve been staged by Robert Sidney and contribute to the general enjoyment. Powell’s direction is light throughout, keeping the picture moving at a fast clip from laugh to laugh. It’s one that should appeal to most audiences and can be counted on to score well at the boxoffice. CAST: June Allyson, Jack Lemmon, Charles Bickford, Paul Gilbert, Jim Backus, Stubby Kaye, Henny Youngman, Allyn Joslyn, Jacques Scott. CREDITS: A Dick Powell Production; Producer, director, Dick Powell; Screenplay, Claude Binyon, Robert Riskin; Based on a short story by Samuel Hopkins Adams; Photography, Charles Lawton, Jr. DIRECTION; Fine. PHOTOGRAPHY: Excellent. James Goode Passes James Allan Goode, one of the original Dumbells and for 20 years manager of Famous Players’ ticket control and shipping department until leaving that company in 1949, died last week in Sunnybrook Hospital, Toronto after a long illness. Latterly he had been on his own in the sign and poster business,