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THE PICK OF THE PICTURES |}
THE SUN ALSO RISES
with Tyrone Power, Ava Gardner, Mel Ferrer,
(CinemaScope and De Luxe Color) 20th Century-Fox 129 Mins.
DARRYL F. ZANUCK BRINGS TO ERNEST HEMINGWAY’S GREAT NOVEL A MATCHING PRODUCTION GENIUS. THE MOTION PICTURE IS SUPERBLY CAST AND BRILLIANTLY PRESENTED.
In this monumental film version of Ernest Hemingway’s celebrated novel, Darryl F. Zanuck once again affirms his production mastery. The Sun Also Rises has been put together with prodigious scope and imagination and combines an unfaltering set of success-assuring elements.
It has the drawing power of such star names as Tyrone Power, Ava Gardner, Mel Ferrer, Errol Flynn and Eddie Albert; the respect-commanding producer and director team of Zanuck and Henry King; the literary name of Hemingway; the exciting backgrounds of Paris, the French Riviera, Spain and Mexico; and an opulent production treatment.
Set in the emotional climate of the Last Generation, that era after World War I, the story deals with the turbulence, frustrations and hopes of Anglo-American society that remained on the continent after the war. The story has been called Hemingway’s “best,” and it finds a matching dimension in Zanuck’s treatment.
Peter Viertel’s film adaptation faithfully reflects the novel which centres around a man made impotent by war injuries, and his seemingly hopeless love involvement with Lady Brett Ashley. Tyrone Power, an American newspaperman in Paris, plays the former and Ava Gardner the latter.
Both director and screenwriter deserve tribute for the fluid grace with which the story moves along its many-winding ways. Photography, under the direction of Leo Tover is superb. He catches the feeling and mood of time and place. The music provided by Hugo Friedhofer is outstanding.
CAST: Tyrone Power, Ava Gardner, Mei Ferrer, Errol Flynn, Eddie Albert, Gregory Ratoff, Juliette Greco, Marcel Dalio, Henry Daniell, Robert Evans.
CREDITS: Producer, Darryl F. Zanuck; Director, Henry King; Screenplay, Peter Viertel; Based on the novel by Ernest Hemingway; Photography, Leo Tover, ASC.
DIRECTION: Brilliant. PHOTOGRAPHY: Superb.
Col.'s 'No Time To Die’
Lucianna Paoluzzi, Italian beauty, has been signed for the only feminine role in the Warwick production for Columbia, No Time to Die, in which she will star with Victor Mature and Leo Genn.
REVIEWS FROM THE FILM DAILY, NEW YORK
UNTIL THEY SAIL
with Jean Simmons, Joan Fontaine, Paul Newman, Piper Laurie, Charles Drake, Sandra Lee.
MGM (CinemaScope) 95 Mins.
HAS THAT NATURAL HUMAN, EMOTIONAL QUALITY THAT LEAVES A LASTING IMPRESSION.
One of the reasons why this story by James A. Michener comes out so gloriously on the screen is the care given to it by producer Charles Schnee. It has all the sterling qualities that make for fine entertainment.
Although this is admittedly a wartime drama, it shows no actual combat scenes, but instead stresses the emotional reaction brought about during this period on the lives of its principal characters — four sisters. Using a trite phrase, it is primarily a woman’s picture and the distaff side will revel in the heartaches it depicts.
Great skill and talent in acting, writing and direction by Robert Wise combine to make this screen version a professional achievement. The screenplay by Robert Anderson highlights footage with standout events which grip the imagination.
The attractive foursome, Jean Simmons, Joan Fontaine, Piper Laurie and Sandra Dee, portraying the four Leslie Sisters in the story, all register strongly. Sandra, a newcomer and the youngest, is a standout, and Piper has never been seen to better advantage. Paul Newman is a superb actor and can be counted on for an exciting and exhilerating performance at all times.
The story takes place during the war period in 1945, and is laid in New Zealand, where most of the men have gone off to war to the four corners of the world and leave loneliness in a manless world.
Praiseworthy is Joseph Ruttenberg’s standout camera work.
CAST: Jean Simmons, Joan Fontaine, Paul Newman, Piper Laurie, Charles
Drake, Sandra Dee, Wally Cassell, Alan Napier.
CREDITS: Producer, Charles Schnee; Associate producer, James E. Newcom; Director, Robert Wise; Screenplay by Robert Anderson, based upon story by James A. Michener; Director of Photography, Joseph Ruttenberg, ASC. DIRECTION: Excellent.
PHOTOGRAPHY: Praiseworthy.
3:10 TO YUMA
with Glenn Ford, Yan Heflin, Felicia Farr. Columbia 92 Mins.
OUTSTANDING CONTENDER FOR YEAR’S WESTERN HONORS, EXCELLENT SCRIPT, PERFORMANCES, DIRECTION. SHOULD SPUR SALES IN_ EVERY LOCALE. COULD END UP A VERY HIGH GROSSER.
An outstanding Western offering, reminiscent in certain respects of High Noon, and due for the same type of attendance, 3:10 to Yuma is one of Columbia’s upcoming “Fabulous Five.”
Every cast member turns in a competent performance under Delmer Daves’ direction, weaving in believability and compassion into the Halsted Welles script.
Produced by David Heilweil, the film was photographed in atmospheric black-and-white by Charles Lawton, Jr., and features a catchy title song by Ned Washington and George Duning, sung during credits by Frankie Laine.
Ford and his gang hold up a stage belonging to Emhardt by using Heflin’s cattle to stop the coach. Inlooker Heflin and his two sons stand by helplessly while the outlaws take a gold shipment and shoot a protesting driver. The gang heads for a small nearby town. Heflin goes into town to borrow some money for provisions, when he encounters Ford. Stalling for time, after the sheriff and his men have been sent astray by Ford and his men to hunt a mythical gang, Heflin tricks Ford into being trapped by the law.
How to get Ford to jail in Yuma without a gun-battle from members of his gang poses a problem. A triangle of three towns becomes the focal point of a ruse to mislead the other outlaws. While the sheriff and his men accompany an empty stagecoach, Heflin is left to convey Ford to Convention City to await the 3:10. Successfully outwitting and outshooting Ford’s gang, Heflin gets the outlaw aboard the train and headed for justice.
CAST: Glenn Ford, Yan Heflin, Felicia Farr, Leora Dana, Henry Jones, Richard Jaeckel, Robert Emhardt.
CREDITS: Producer, David Heilweil; Director, Delmer Daves; Screenplay, Halsted Welles; Based on a story by Elmore Leonard; Photography, Charles Lawton. DIRECTION: Excellent.
PHOTOGRAPHY: Fine.
A ROYAL FILM FOR A ROYAL VISIT
Rank Film Distributors of Canada Ltd. is now distributing a specially prepared short subject entitled Queen Elizabeth II, in honor
of Her Majesty’s visit to Canada.
Queen Elizabeth II was produced by Castleton Knight, who also produced The Queen Is Crowned, the outstanding documentary feature on Her Majesty’s Coronation which met with tremendous success
across Canada.
Well-known Canadian actor Robert Beatty of Hamilton, Ontario, is the narrator of Queen Elizabeth II, which will be shown in major Odeon theatres from coast to coast.
REVIEWS INFORMATION RATINGS
Vol. 22, No. 41
SHORT CUT TO HELL
with Robert Ivers, Georgann Johnson, William Bishop.
Paramount (VistaVision) 87 Mins.
MUCH BETTER THAN AVERAGE MODEST BUDGETER WHICH SHOWCASES SEVERAL NEW __ TALENTS. SHOULD GET GOOD RESULTS.
An auspicious debut of four talents — James Cagney as director, A. C. Lyles as producer, Robert Ivers and Georgann Johnson as co-stars — is marked in Short Cut to Hell, a remake of the 742 hit, This Gun for Hire. The Ted Berkman, Raphael Blau script is based on the screenplay by W. R. Burnett, remaining basically the same.
Cagney has done a very fine job of direction, capturing the spirit of the piece and drawing convincing performances from all his players. Ivers is notable as a cynical gunman, while Miss Johnson’s fresh personality brings warmth to her characterization.
The Lyles production is modest but maintains a steady rate of suspense and interest as its plot unfolds. Haskell Boggs’ camera work is effective. The film has more than average appeal for most audiences.
Ivers, a professional killer, is paid by Aubuchon to kill two victims for the syndicate. Paid off in hot money and nearly cornered by the police, Ivers swears revenge on Aubuchon. Following the latter to Los Angeles, Ivers meets Miss Johnson, a nightclub singer on her way to fill an engagement, on the train. Events which follow find Miss Johnson first a hostage of Ivers’, later kidnapped by Aubuchon.
Her fiance, a detective assigned to find Ivers, tracks her down after the gunman has saved her from Aubuchon. She in turn tries to convince Ivers that crime doesn’t pay, but he’s too anxious for revenge on Aubuchon to listen. The two are killed, along with the syndicate head, but Ivers manages to turn over to the police, before he succumbs, a recorded confession and details of the operation.
CAST: Robert Ivers, Georgann Johnson, William Bishop, Jacques Aubuchon, Peter Baldwin, Yvette Vickers, Murvyn Vye, Milton Frame, Jacqueline Beer.
CREDITS: Producer, A. C. Lyles; Director, James Cagney; Screenplay, Ted Berkman, Ralphael Blau; Based on a screenplay by W. R. Burnett; From a novel by Graham Greene; Photography, Haskell Boggs.
DIRECTION: Crisp. PHOTOGRAPHY: Very Good.
UA's ‘Solomon And Sheba’
Gina Lollobrigida will star in United Artists’ Solomon and Sheba, which Eward Small and Arthur Hornblow, Jr. will co-produce and King Vidor direct.
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