Canadian Film Weekly (Jan 17, 1968)

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pas In our previous issue (Panorama) we described the dilemma facing the production crew of Robert Radnitz’ Paramount film, My Side of the Mountain, when heavy rain washed out much of the snow in a key Knowlton, Que., location. Here’s a_ pictorial recap of the seven-hour ‘‘authenticity restoration’”’ project which enabled Director James B. Clark to film necessary climactic sequences on schedule and with the required snow-locked background scenery. TOP TWO PHOTOS show the basic latticework wooden platform built along about 200 feet of the melted stream. SECOND ROW (left) sees Tom Glynn (on loan from Crawley Films, Ottawa), helping in the emergency by unstitching potato sacks (they used 600) which (right) are nailed over lengths of wire mesh (standing on the bank in the background are Bud Thompson (left), special effects, and Fred Lemoine, production supervisor, the two Hollywood veterans who originated and engineered Project Restoration). THIRD ROW shows one of the ice trucks brought in from Montreal, along with a grinder-pulverizer-blower which atomized hundreds of 150-pound blocks of ice. The resulting blizzard of fine snow (FOURTH ROW) was blown for two hours ever the improvised platform. BOTTOM ROW illustrates the net result—a snowpackéd hollow tree (vital to the story) and G snow-packed stream behind it. ay —Staff photos