Canadian Film Weekly (Jun 4, 1969)

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_ Were pretty free with a dobcege BOS ANGELES MAIN Orrice (2) Bank. BORA ee ANGELES, CALATORNIA But look with haa: The Mirisch Company. We made out a few checks and they made firsts-oftheir-kind like: Some Like It Hot, The Apartment, West Side Story, The Russians Are Coming The Russians Are Coming, and In ‘The Heat Of The Night. Albert Broccoli and Harry Saltzman made a series of James Bond films with a series of our checks. We gave a couple of checks to Stanley Kramer. He made The Defiant Ones and It’s A Mad Mad Mad Mad World. Every day, creative people like these all over the globe are cashing United Artists checks. Like the Battle of Britain check in London. The Secret of Santa Vittoria check in Rome. The Fiddler On The Roof check in New York. The Diamonds Are Forever check in Africa. The United pists. ITED ARTISTS CoRPORATION : padlgtealp agri oe a ~~ ee -k220"D005e _$¢ 999, 999. 99: UNITED ARTISTS CORPORATION PECIAL ACCOUNT Bieye ao E004" Gatly Gaily check in Hollywood. And the check for THE NEW James BondOn Her Maygesty’s Secret Service in the Swiss Alps. The Man Of La Mancha check somewhere in the world. And tomorrow unknowns like Jim Salter, Bruce Becker and Barry Brown will produce and direct their first films with one of our checks. Tomorrow Ossie Davis will debut as a director. With one of our checks. Brilliant newcomers Ken Russell and Alain Cavalier each have a film they are excited about making. We’re excited about backing them. We back the unknowns and make them giants and then we back the giants. Which is how we got six of the last fourteen Best Picture Academy Awards. And why we expect to get many more in the future. It all pays off. For us and you. Check. For the past fifty years we’ve done whatever was bold in motion pictures, with whoever was bold in motion pictures. Anniversary Now watch us The next fifty years will be even more adventurous. We don’t just make motion pictures. We make tomorrow. United Artists Entertainment from | r Transamerica Corporation