Canadian Film Weekly Year Book of the Canadian Motion Picture Industry (1966)

Page scan 000127 from Canadian Film Weekly Year Book of the Canadian Motion Picture Industry

Record Details:

Title:
Canadian Film Weekly Year Book of the Canadian Motion Picture Industry
Date:
1966
Volume:
Canadian Film and TV Bi-Weekly 1966-67 Year Book [of the] Canadian Entertainment Industry
Leaf #:
000127
Language:
English
Subjects:
Motion Pictures, Film Industry Yearbook",Canad
Collection:
Canada, Hollywood Studio System, Global Cinema, and Year Book
Format:
Periodicals
Contributor:
Media History Digital Library, Canadian Media Magazines Project, Paul Moore and Jessica Whitehead
Coordinator:
Media History Digital Library
Description:

Canadian Film Weekly Year Book of the Canadian Motion Picture Industry

Editor: Hye Bossin (1951-64)

Renamed Canadian Film & TV Bi-Weekly Year Book of the Canadian Entertainment Industry (1965-70, editor: Stan Helleur)

Hye Bossin was central in the 1950s to the creation of the Canadian Film Archive, the Canadian Film Awards, and he wrote some of the first histories of early cinema in Canada, published in the first volumes of the annual Canadian Film Weekly Year Book (1951-1970), an annual directory appendix to Bossin’s editorship at Canadian Film Weekly (1942-1970), owned by Nat Taylor’s Film Publications of Canada, Ltd. Early volumes included several significant historical essays under his byline, remarkably comprehensive and still cited today. Later volumes provided an annual spotlight of the Canadian Picture Pioneers of the Year. In the late 1960s, after Bossin’s death, the magazine was renamed Canadian Film & TV Bi-Weekly, scaling back the pace of publishing but added a purview for television and broadcasting. The annual was renamed similarly, its subtitle amended to “Year Book of the Canadian Entertainment Industry.” When the Film Weekly was relaunched as Canadian Film Digest (1971-76), the publication continued to include an annual, Canadian Film Digest Yearbook (1971-86), which was subsequently renamed Film Canada Yearbook (1986-2007).

– Paul Moore, March 2024

Further Reading

  • Bossin, Hye. “Canada and the Film: The Story of the Canadian Motion Picture Industry.” In Canadian Film Weekly Year Book of the Canadian Motion Picture Industry, 21-41. Toronto: Film Publications of Canada, 1951.
  • ———. “At the Very Beginning, The Holland Brothers of Ottawa Ushered in the World Motion Picture Industry.” In Canadian Film Weekly Year Book of the Canadian Motion Picture Industry, 45-49. Toronto: Film Publications of Canada, 1952.
  • ———. “The Story of L. Ernest Ouimet, Pioneer.” In Canadian Film Weekly Year Book of the Canadian Motion Picture Industry, 23-43. Toronto: Film Publications of Canada, 1952.

Date Added:
April 11, 2024
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of Japan (This Modern Age); 1951—Gerald McBoing-Boing; 1952—Animated Genesis; 1953—The Romance of Transportation; 1954—Time Out of War; 1955—The Bespoke Overcoat; 1956—The Red Balloon; 1957—A Chairy Tale; 1958—The Children’s Film Foundation; 1959—This Is the BBC; 1960— Dispute. United Nations Award for the Best Picture IIlustrating One or More Principles of the United Nations Charter: 1949—The Search; 1950—Intruder in the Dust; 1951—Four in a Jeep; 1952—Cry the Be 1953--World Without End; 1955—Children of Hiroshima; 1956—Race for Life; 1957—The Happy Road; 1958— loved Country; 1954— The Divided Heart; The Defiant Ones; 1959—On the Beach; 1960— Hiroshima, Mon Amour; 1961—Let My People Go; 1862—Reach for Glory 1963—Inheritance; 1964— Tokyo Olympiad. Robert Flaherty Award for the Best Feature Length Documentary: 1959—The Sovage Eye; 1961 —Volcano; 1964—Tokyo Olympiad. Canadian Film Awards 1762 Carling Ave., Ottawa, Ont. CHOIPMAN ceeseseeecseeeee Walter Herbert Management .......... . Canadian Film Institute MANAGEMENT COMMITTEE Roy Little, Arthur Stinson, Gordon Noble, A. L. Hepworth, representing the Canadian Film Institute; Walter B. Herbert, Alan Clarke, John Robertson, representing the Canada Foundation; J. Roby Kidd, Alan Thomas, Shirley Cull, representing the Canadian Association for Adult Education; Michael Spencer, representing The Association of Motion Picture Producers and Laboratories of Canada. GENERAL REGULATIONS 1. Each film entered must be accompanied by a completed official entry form with entry fee attached, 2. All films must be produced by Canadian producers. 3. Films must have been produced, or released generally, during the year being judged. 4. A film may be entered in only one class. The committee reserves the right to place any entry in the most suitable class after consultation with the producer. 6. No award will be made in any class if the judges feel that the entries do not reach a suitable standard. 7. The adjudication of the entries by the judges is final. JUDGES The panels of judges are composed of men and women who are qualified to make evaluations, while not being connected in any way with any film submitted. In the formation of each panel, recognition has been given to the fact that both French and English films will be entered. The judges, in making the awards, will assess the overall effectiveness of the film. They will take into account such factors as: The aim of the film and how well it is achieved; its unity and clarity; the direction, editing, quality of script, photography, sound track, titles, animation, music, etc. The Management Committee may from time to time grant special awards for other outstanding achievement in the motion picture field. AWARDS The judges may recommend a Canadian Film of the Year Award to the film which represents the highest achievement of the year; a Certificate of Merit to the film judged best in each class. The trophy of the Association of Motion Picture Producers and Laboratories of Canada goes to the best amateur film of the year. Awards for the best black-and-white and color cinematography are presented by the Canadian Society of Cinematographers. Canadian Film Awards, 1965 FILM OF THE YEAR MILLS OF THE GODS, produced for the Canadian Broadcasting Corp. by Beryl Fox. THEATRICAL THEATRICAL FEATURE LES FESTIN DES MORTS, produced by the National Film Board and directed by Fernand Dansereau. NON-THEATRICAL ARTS AND EXPERIMENTAL SYRINX, produced by the National Film Board. FILMS FOR CHILDREN ABOVE THE HORIZON, produced by the National Film Board. PUBLIC RELATIONS LIGHT FOR THE MIND, produced by Chetwynd Films. y SALES AND PROMOTION CANADIAN INDUSTRES LTD., produced by More land-Latchford. 126 TRAIING AND INSTRUCTION THE SCRIBE, produced by Design Studios, DECISION, produced by Westminster Films. TRAVEL AND TOURISM THE RAILRODDER, produced by the Film Board. SPORTS AND RECREATION SHELL 4,000, 1965, produced by Moreland-Latchford. UN JEU SI SIMPLE, produced by the National Film Board (special award). GENERAL INFORMATION BUSTER KEATON RIDES AGAIN, the National Film Board. FILMS FOR TELEVISION ENTERTAINMENT HOW TO BREAK A QUARTER-HORSE, produced by the National Film Board. INFORMATION BERNARD SHAW: WHO THE DEVIL WAS HE?, produced by the Canadian Broadcasting Corp. National produced by