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RCA VICTOR RED SEAL RECORDS
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LONDON SYMPHONY ORCHESTRA (Continued)
ZIGEUNERWEISEN, Op. 20, No. 1 (Gypsy Airs) Sarasate
Jascha Heifetz, Violinist, with the London Symphony Orchestra, John Barbirolli, Conductor
12" Record No. 15246 1.00
LOWE, JACK, Pianist
See Whittemore, Arthur, and Jack Lowe, Duo-pianists
LUBOSHUTZ, PIERRE, AND GENIA NEMENOFF, Duo-pianists
The beloved duo-piano team of Luboshutz and Nemenoff is the out¬ growth of their meeting in Paris in 1929, and their marriage, two years later, in America.
Both had been renowned solo artists: Pierre Luboshutz, Russian-born, had appeared throughout Europe in recital; Genia Nemenoff, Parisian-born of Russian parents, had an enviable career as a solo artist. Slender and dark¬ eyed, she had gone to Pierre for advanced study. As he himself put it, "At her first lesson, I was impressed by her talent. At the second, I was im¬ pressed by her personality. And by the third, I knew I was in love with her."
There is scarcely a city in the world that has not acclaimed this team, and scarcely a symphony orchestra that has not featured them. In addition to their artistry as performers, they have done much to enrich the two-piano literature — both by rediscovering many fine compositions and by special ar¬ rangements created by Mr. Luboshutz himself.
Age of Gold, The— Ballet: POLKA Shostakovich-Luboshutz Pierre Luboshutz and Genia Nemenoff, Duo-pianists
10" Record No. 2214 .75
Barber of Seville: LARGO AL FACTOTUM (Room for the Factotum) RossiniKovacs Pierre Luboshutz and Genia Nemenoff, Duo-pianists
12" Record No. 11-8987 1.00
Boris Godounoff: CORONATION SCENE Moussorgsky-Luboshutz Pierre Luboshutz and Genia Nemenoff, Duo-pianists
10" Record No. 2084 .75
DANSE MACABRE (Dance of Death) Saint-Saens Pierre Luboshutz and Genia Nemenoff, Duo-pianists
12" Record No. 18486 1.00
LARK, THE Glinka-Luboshutz
Pierre Luboshutz and Genic* Nemenoff, Duo-pianists
12" Record No. 17993 1.00
LIEBESLIEDER WALZER, Op. 52 (Love-Song Waltzes) Brahms
RCA Victor Chorale with Pierre Luboshutz and Genia Nemenoff, Duopianists, Robert Shaw, Conductor
Three 12" Records Album No. M/DM-1076 3.85
M(1 1-9307-1 1-9309)
DM(1 1-931 0-1 1-931 2)
Marriage of Figaro, The: OVERTURE Mozarf-Conus Pierre Luboshutz and Genia Nemenoff, Duo-pianists
12" Record No. 11-8455 1.00
Midsummer Night's Dream: SCHERZO, Op. 61 Mendelssohn-Philipp Pierre Luboshutz and Genia Nemenoff, Duo-pianists
12" Record No. 11-8455 1.00
NEW DANCE Riegger •
Pierre Luboshutz and Genia Nemenoff, Duo-pianists
12" Record No. 17993 1.00
ORIENTALE (from "Kaleidoscope, Op. 50") Cui-Luboshutz Pierre Luboshutz and Genia Nemenoff, Duo-pianists
10" Record No. 2084 .75
Petrouchka Suite: RUSSIAN DANCE Stravinsky-Luboshutz Pierre Luboshutz and Genia Nemenoff, Duo-pianists
10" Record No. 2096 .75
RITUAL FIRE DANCE (from "El Amor Brujo") Falla-Luboshutz Pierre Luboshutz and Genia Nemenoff, Duo-pianists
10" Record No. 2214 .75
TAMBOURIN CH1NOIS, Op. 3 (Chinese Drum) Kreisler-Luboshutz Pierre Luboshutz and Genia Nemenoff, Duo-pianists
12" Record No. 11-8987 1.00
TWO-PIANO RECITAL, A
ANDANTE AND VARIATIONS, Op. 46 Robert Schumann RONDO, Op. 73 Chopin ALLEGRO BRILLANT Mendelssohn-Luboshutz Pierre Luboshutz and Genia Nemenoff, Duo-pianists
Four 12" Records Album No. M/DM-1047 4.85
M(1 1 -9135—1 1-9138)
DM(1 1-91 39-11-9142)
VALSE TZIGANE, Op. 7 (Gypsy Dance) Levitzki Pierre Luboshutz and Genia Nemenoff, Duo-pianists
10" Record No. 2096 .75
VARIATIONS ON A THEME BY HAYDN FOR TWO PIANOS, Op. 56b ("St.
Antoni Chorale") Brahms Pierre Luboshutz and Genia Nemenoff, Duo-pianists
Two 12" Records Album No. M/DM-799 2.85
M(18096-18097)
DM(1 8098-1 8099)
LYNCH, CHRISTOPHER, Tenor Pure Irish (with just a touch of Swiss) is young Christopher Lynch, to whom John McCor¬ mack referred as "the one most likely to succeed me."
He was born in the little town of Rathkeale, County Lim¬ erick, in 1922.
Like so many of his profes¬ sion, Christopher began his career by singing in the church choir. At twenty, he created his first notable suc¬ cess, on the stage of the Sa¬ voy Theatre in Limerick. Then came serious study with Dr.
O'Brien, teacher of the late McCormack. Various tutors supplied the necessary Italian and Irish folk songs, and Christopher himself followed up with vacations in the Irish-speaking districts of Eire for further study in pronunciation.
When the late McCormack heard him at a concert in London, the begin¬ ning of a most important association for the young man was formed. It was McCormack who taught him during the last years of his life, and it soon became evident that the young Irish troubadour was to continue in the tradition of his illustrious predecessor. Through McCormack's efforts, Chris¬ topher was to sign his RCA Victor contract, and if was McCormack who started negotiations for his American concert career.
Final instruction came from the well-known Signor Morelli, to whom Chris¬ topher went in Italy before further pursuing a concert career. With his first Firestone Hour appearance on September 30, 1 946, America took him to her heart — and she's just as proud, if possible, as his native Ireland!
BELIEVE ME, IF ALL THOSE ENDEARING YOUNG CHARMS Thomas Moore— Traditional— Gerald Moore
Christopher Lynch, Tenor, with Gerald Moore at the Piano
10" Record No. 10-1247
BY THE OLD TURF FIRE Traditional— Arranged by Hughes
Christopher Lynch, Tenor, with Orchestra, Maximilion Pilzer, Conductor
10" Record No. 10-1316
I HEAR YOU CALLING ME Harford-Charles Marshall Christopher Lynch, Tenor, with Orchestra, Maximilian Pilzer, Conductor
10" Record No. 10-1276
I'LL TAKE YOU HOME AGAIN, KATHLEEN Westendorf Christopher Lynch, Tenor, with Orchestra, Maximilian Pilzer, Conductor
10" Record No. 10-1316
MACUSHLA Rowe-Macmurrough
Christopher Lynch, Tenor, with Orchestra, Maximilian Pilzer, Conductor
10" Record No. 10-1279
MOTHER MACHREE Young-Olcott-Ball
Christopher Lynch, Tenor, with Orchestra, Maximilian Pilzer, Conductor
10" Record No. 10-1279
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OFT IN THE STILLY NIGHT Thomas Moore-Gerald Moore Christopher Lynch, Tenor, with Gerald Moore at the Piano
10" Record No. 10-1247 .75
THEN YOU'LL REMEMBER ME (from "The Bohemian Girl") Bunn-Balfe Christopher Lynch, Tenor, with Orchestra, Maximilian Pilzer, Conductor
10" Record No. 10-1276 .75
MacDONALD, JEANETTE, Soprano
Jeannette MacDonald, re¬ nowned prima donna of stage, radio and screen, is the favor¬ ite of some of the world's most famous singers and com¬ posers as well as of countless radio and screen audiences throughout the country.
Born in Philadelphia of Scotch ancestry. Miss MacDon¬ ald was given voice and danc¬ ing lessons when only a child.
She made her first public ap¬ pearance at a charity ball when she was four years old, and at five began touring during the summer as the main star of a children's revue. This dancing career continued for several years, but the money she earned thereby was invested in singing lessons. For her, dancing was only a means to an end— the shining goal of singing stardom.
The first fruits of success came to her through Broadway musical comedies,
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