Catalogue of Pathépictures Selected for Educational, Religious and Social Groups (1925)

12 PAT HEPICTURE S alive, and Violet finds that she is in love with Jack. But Hector wants the money and his fiancee, so he plans a divorce case and Jack's chef furnishes a Parisian vamp to compromise Jack. The vamp happens to be a ^irl Hector has been involved with in Paris so she upsets his plans by pursuing him. Hector puts a gunman on the trail, who sticks to Jack in his wild ride to catch the boat Violet is sailing on. Jack gets a cab whose driver is tipsy and the horse breaks away so he rides to the boat in a horseless cab, just missing everything on the road but he does elude the gunman and make the boat. THE YANKEE CONSUL— Comedy Drama (M.( H.S.) 7 Reels Featuring Douglas McLean and Patsy Ruth Miller Dudley Ainsworth, scion of a family that has not worked for seven generations, finds himself, through a series of accidents, at sea with no ticket but with letters and passports to a U. S. Consul in a South American Republic. In order to help a pretty girl who is in the hands of conspirators, Dudley pretends he is the Consul and copes with rebels and robbery and uncovers an international plot for the theft of a big gold shipment. With the aid of the U. S. Navy he defeats the malefactors and rescues and wins the girl. THE COURTSHIP OF MILES STANDISH (M., H.S., Ch.) Charles Ray A careful, complete and interesting story of the Pilgrims from the sailing of the Mayflower to the marriage of John Alden and Priscilla Mullins. Based on Longfellow's poem, with Charles Ray as John Alden, this picture presents in a moving way the hardships endured by the early settlers and the tender story of America's first romance. RACING LUCK (M., H.S.) Monty Banks and Helen Ferguson. 6 Reels A lively and amusing story of Mario Bianca, a young Italian who comes to New York to work in his uncle's restaurant on the East Side. He falls in love with Rosina, his uncle's adopted daughter, and the two make money dancing in an up-town cafe. Mario is pursued by Tony Mora, a gang leader who loves Rosina. When life looks very dark, a well known publicity man mistakes the young Italian for a famous auto driver and Mario is forced into a big race. He wins both the race and the girl. WHY GET MARRIED? (M., H.S., Ch.) 6 Reels A picture that shows two types of modern women. Janet Carroll regarded a job as a bridge between school and marriage and Marcia Heming thought that a woman should make as serious and as permanent a career of her work as a man does and that marriage need not curtail, nor interrupt, that career. Both women found that marriage and business presented varied and unexpected problems and "Why Get Married?" shows how they and their respective husbands met and worked out these problems. GOING UP (M., H.S.) 7 Reels Because Robert Street has written a novel containing several aeroplane episodes the guests at a summer hotel, where the author has gone for a rest, assume that he is an aviator. Street pretends that he can fly, first as a joke, then because a girl believes that he is an expert in the air. A race is arranged between Street and a famous French ace. The young author takes an intensive course in flying, and makes the ascent. Intoxicated with flying and with courage born of ignorance the amateur aviator proves a daredevil in the air and performs remarkable feats of flying. He defeats the great ace and wins the girl. DAVID COPPERFIELD (M., H.S., Ch.) 7 Reels An accurate and sympathetic screen production of one of Dickens' best known and most loved novels. A PAUPER MILLIONAIRE (M., Ch., H.S.) 5 Reels John Pye Smith, American millionaire, decides suddenly to go to England to break off an engagement between his only son and a nurse. Directly after Smith has his beard and mustache shaved off he loses his baggage and with it everything that identifies him as one of the world's richest men. Thrown upon his own resources the American learns more of the world and of the good in human nature in a week than he has learned in all his selfish detached existence. When he re-establishes his identity his new sense of values enables him to see his son's fiancee as the fine young woman that she is, not a scheming fortune hunter, and to devote his time and fortune to service instead of selfish pursuits. FOOLISH PARENTS (M., Ch., H.S.) 6 Reels An excellent picture of two frivolous young people whose days and nights are devoted to the pursuit of pleasure and who have no time for their only child. When the rich uncle who provides an annual income for the St. Johns becomes aware of their frivolous method of living and their neglect of their son, he cuts off their allowance. Both are