Catalogue of Victor Records (1927)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

VICTOR RECORDS ey Number | | 3 5 {Birth of the Blues The Revciers) 20111110! .75 Bi Lucky Day (from ‘‘George White’s Scandals’’) The Revelers . bo (pire of the Blues—Fox Trot Whiteman’s ronan soidaliane7s Countess Maritza—Fox Trot Whiteman’s Orchestra ; BLACK, BEN, and His Orchestra Blinky Moon Bay 20050 Lay My Head 20049 Prisoner’s Song 20049 Here Comes Emaline 20050 ‘ote Bottom—Fox Trot Johnny Hamp’s Kentucky darter ick 201011075 Lucky Day—Fox Trot George Olsen and His Music : ite Bottom Stomp—Fox Trot Morton’s Red Hot peppers soos ioe 74 The Chant—Fox Trot Jelly-Roll Morton's Red Hot Peppers 5; ae Cat Bone Blues—Fox Trot Leecaneae 202811075 Dirty Guitar Blues—Fox Trot Bobby Leecan-Robert Cooksey 4 ce Eyes (Russian Gypsy Song) Victor Salon Fence trey Sons ze ee Two Guitars (Russian Gypsy Song) Victor Salon Orchestra ; (Blass Horse Troop—March (Sousa) Sousa’s Bent 1971 Toes The National Game—March (Sousa) Sousa’s Band ; haere Assurance (Crosby-Knapp) Mark pene} S001 ators Ring the Bells of Heaven’ (Cushing-Root) Mark Love ; (enees Christmas Morn (Mary Baker Eddy—Fred Root ) sabe 19759110! .75 In Heavenly Love Abiding (Alex. Ewing) Flora Keefer : {eres Moon Bay—Fox Trot Ben Black and His Pe, 2005010! .75 Here Comes Emaline—Fox Trot Ben Black and His Orchestra ; Blossom Time (Donnelly-Berté-Romberg) * Serenade—Murphy-Orpheus Qt. and Song of Love—Marsh-Dadmun|45304|10}1.00 GEMS FROM BLOSSOM. TIME Victor Light Opera Company we “In Old Vienna Town” — “Tell Me, Daisy"’—“Only One Love Ever 35722/12/1.25 Fills the Heart” —“‘Song of Love.’ . Gems from the “‘ Yankee Princess” Victor Light Opera Company BLUE AND WHITE MARIMBA BAND—x Ms Isle of Dreams 18716 ak Bonnet—You Make Me Feel Blue antes 20090110) .75 I’m in Love With You, That's Why Miller-Farrell y Blue Danube Waltz (Johann Strauss) * By Frieda Hempel /talian and Wine, Woman and Song Waltz—Hempel| 6162/12/2.00 — By Philadelphia Orchestra and Tales from Vienna Woods—Phila. Orch.| 6584!12/2.00 * By Sousa’s Band and Southern Roses Waltz (Strauss) Pryor’s Band|35289|12/1.25 By Pryor’s Band and Southern Roses Waltz (Strauss) Pryor’s Band|35799|12/1.25 ane? Room (from ‘The Girl Friend’’) The Revels pOgsz Il 7s Valencia (A Song of Spain) The Revelers : SE Gen Trot Philip Spitalny and His Sores I Just Wanna Be Known as Susie’s Feller—F. T. Spitalny and His Or)|}20267/10| .75 {Bocesecio aba ne and Waltz (von Suppe) Creatore’s peo gaya os Turkish March (Marcia Turca) (Mozart) Creatore’s Band : BOHEME, LA (Boh-ehm’) (The Bohemians) (Puccini) Text by Giacosa and Illica; music by Puccini. First produced at Turin, 1896. In English, as “The Bohemians,” in London, 1897. In Italian at Covent Garden, 1899. First American production, November 28, 1899. y Puccini’s Bohéme is an adaptation of part of Miirger’s La Vie Bohéme, which depicts life in the Quartier Latin, or the Students’ Quarter, in 1830. The principal characters in Puccini’s opera are the inseparable quartet described by Miirger, who with equal cheerfulness defy the pangs of hunger and the landlord of their little garret. Rudolph, a poet; Marcel, a painter; Colline, a philosopher; and Schaunard, a musician, are our friends who *Indicates old acoustical method of recording.