Catalogue of Victor Records (1927)

VICTOR RECORDS Number nace (Prison Song) (‘‘Las Hijas del Zebedeo”’) Span. Salt Gers Serenata (Serenade) (Cesareo-Tosti) In Italian Galli-Curci}| 1167|10|1.50 A esinly (Hague-Ross) Spanish Dusolina eam 1195| 1011.50 Cielito Lindo (Beautiful Sky) Spanish Dusolina Giannini beg CARMEN (Bizet) (Sung in French unless otherwise noted) Text by Meilhac and Halévy, founded on Mérimée’s novel. Music by Bizet. First production, Paris, 1875; London, 1878; New York, 1879, with Minnie Hauk. Some notable revivals, 1893, Calvé’s first appearance; 1905, with Caruso; and Hammerstein’s revival, 1906, with Bressler-Gianoli and Dalmores. Don Jose, a young brigadier, betrothed to Micaela, a peasant girl in his native village, is quartered at Seville near a factory where Carmen, a reckless and beautiful cigarette girl, stabs a fellow-employee, and is arrested by Jose. She manages to fascinate him, and makes her escape. Jose is imprisoned for neglect of duty, but when released follows the gypsy to Pastia’s Inn, where he finds Escamillo, a Toreador, and Zuniga, his captain, both paying court to Carmen. Stung with jealousy he deserts, and follows the band of smugglers Carmen has joined. The next act shows the smugglers’ camp, and Carmen, already tired of her soldier welcomes the Toreador, who has followed her. Jose is about to kill her when Micaela arrives with a summons from his dying mother. He goes, but threatens vengeance. In the last act Jose, half crazed with jealousy, kills Carmen outside the bull ring, where she is awaiting the triumphant Escamillo. See Victrola Book of the Opera | Size List o -_ 2 ACT I—pruBLic sQUARE IN SEVILLE * Prelude— Philadelphia Orch. and March of the Caucasian Chief—Phila. Orch| 796)10)1.50 Habanera (Love is Like a Wood Bird) and Seguidilla—d’ Alvarez) 1145/10/1.50 * Habanera (Love is Like a Wood Bird) Jn Italian Besanzoni and Favorita—O mio Fernando—Besanzoni| 6047)|12|2.00 Seguidilla (Near the Walls of Seville) and Habanera—d’ Alvarez| 1145)10/1.50 Seguidilla—Gordon and Carmen—En vain pour eviter—Gordon| 1102/10)1.50 ACT IJ—ravern_ OF LILLAS PASTIA * Toreador Song In Italian—Amato and Masked Ball—Eri ta—Amato| 6040} 12)2.00 * Toreador Song—Werrenrath and Cho. and Pagliacci—Prologue—Werrenrath| 55068) 12/1.50 ACT Illa MouNTAIN CAMP Card Song—En vain pour éviter (In Vain to Shun the Answer) , and Seguidilla—Gordon| 1102/10\1.50 Carmen Ohio (Alma Mater) Ohio State University Glee ee POETS College Days (2) Fight the Team Ohio State University Glee Club : Carnival of Venice—Part 1 (Arban) (with variations) /tal. Dal Monte Carnival of Venice—Part 2 (with variations) In Italian Dal Monte * amore: Overture—Part 1 (Dvorak) Chicago Symphony Or} } 6487 |12/2.00 Carnival Overture—Part 2 (Dvorak, Op. 92) Chicago Symphony Orch}| ®°°° ieee Carolina Sweetheart— Waltz Goodrich Cord Pencaety 19798/10| .75 I Wonder Where We've Met Before—Fox Trot Goodrich Cord Orch 4 Caro mio ben (Canst Thou Believe) (Giordani) Italian Galli-Curci Capinera, La (The Wren) (Sir Julius Benedict) (Flute 0bb.) Galli-Curci CARROLL, FRANK—Yodels with Barton and Guitar—See “Barton’’ Carry Me Back to Old Virginny (Bland) By Rosa Ponselle (with Male Qt.) and My Old Kentucky Home—Ponselle| 6509)|12|2.00 * 1 eas|rolt.s * By Alma Gluck (with Male Chorus) and Old Black Joe—Gluck-Cho| 6141|12|2.00 By Shannon Quartet and Darling Nellie Gray—Peerless Quartet} 19887 |10| .75 a sore Your Cross with a Smile (Ogdon-Gabriel) Revebegrer! 18720100875 Tell Me the Story of Jesus (Crosby-Sweney) Rodeheaver , CARUSO, ENRICO, Tenor ( Kah-roo’-zoh)—-See Red Seal Section *Indicates old acoustical method of recording.