Catalogue of Victor Records (1930)

BAND RECORDS—CONCERT VICTOR RECORDS . 4 ee ol~ | Number | se B Aida— Lead, Kindly Semiramide— a Grand March 35780 Light 35957 Overture 35827 ere Blue Danube Waltz 35799 Rees aes geen Serenade (Drigo) 35837 Carmen— Mefistofele 597 Stabat Mater— Selection 35841-35842 | Millin Forest 22096 ea 5” Cut eee REOMD J Cavalleria — 358)5 Nene oar ares Traviata 35807, 35938 elections : Trovatore— ree oh ae soar Onin ote ae 20199 Anvil Chorus 19879 Ee tania ty Soldiers 35957 Trovatore— Forza—Overture 35846 : Miserere 35850 O Sole Mio 20199 Funeral March Pagliacci—Sels. 35791 Trovatore— (Chopin) 35800 Paloma 19878 Selection 35778 Guarany Overture 35935 Patrol Comique 22044 William Tell— Hunting Scene 22044 Rigoletto—Quartet 35882 Overture 20319-20320 {Beanie Song (Weeden-Homer) Louise usa} Oh, Promise Me (from ‘‘Robin Hood’’) (Scott-deKoven) Louise Homer} BANTA, FRANK, Pianist 1295| 10 1.50 Dorothy 21821 Operatic Nightmare—Fox Trot 20667 Nola—Fox Trot 20667 World Is Waiting 21821 Royal Dadmun {Barbare Allen (Hatten-Faning) O No, John (Farnsworth-Sharp) Royal Dadmun BARBIERE DI SIVIGLIA (Bahr-beay'-reh dee See-veel'-yah) In Italian The plot of Barber is very simple. Count Almaviva loves Rosina, the ward of Dr. Bartolo, a crusty old bachelor, who secretly wishes to marry her himself. Almaviva persuades the village barber, Figaro, to arrange a meeting for him, and gains entrance to the house disguised asa dragoon, but is arrested by the guardian. Not discouraged he returns, pretending to be a substitute for Rosina’s music teacher, who, he says, is ill. The appearance of the real music master, Don Basilio, spoils this plan, and the Count retreats for the second time, having, however, arranged a plan for elopement. Bartolo finally arouses Rosina’s jealousy by pretending that the Count loves another, and she promises to forget him and marry her guardian. When the time for the elopement arrives she meets the Count, intending to reproach him, but he convinces her of the base plot of Bartolo, and the lovers are wedded by a notary, just as Bartolo arrives with officers to arrest the Count. The opera by many is considered Rossini’s masterpiece. (For illusresid description see the Victrola Book of the Opera.) ACT I—Scene J—A sTREET IN SEVILLE } 4023|10|1.00 Overture—Part I and Part [1—Ganz-St. Louis Symphony Orch|55290|12|1.50 Ecco ridente in cielo (Dawn with Her Mantle) Schipa and Se il mio—Schipa| 1180/10|1.50 * Largo al factotum (Room for the Factotum) and Rigoletto—Pari siamo—Ruffo| 6263)12|2.00 Se il mio nome (If My Name You Would Know) and Ecco ridente—Schipa| 1180|10|1.50 ACT I—Scene J]—R00M IN BARTOLO’S HOUSE Una voce poco fa (A Little Voice) and Mignon— Polonaise—Galli-Curci| 7110|12|2.00 Una voce poco fa (A Little Voice I Hear) and Rigoletto—Caro nome—Talley| 6580\|12|2.00 * Una voce poco fa and Madame Butterfly—Un bel—Galli-Curci| 6130|12|2.00 La calunnia (Slander’s Whisper) and Faust—Sérénade—Journet| 6558|12|2.00 La calunnia (Slander’s Whisper) and Song cf the Flea—Chaliapin| 6783)\12|2.00 BARBIROLLI’S, JOHN, CHAMBER ORCHESTRA Symphony No. 2—Parts 3,4 35982 Symphony No. 2—Parts 5,6 35983 Symphony No. 2, in D Major (Haydn) Parts 1,2 35981 Barcelona (Kahn-Evans) By Nat Shilkret-Victor Orch.—F.T. and On the Riviera—Shilkret-Victor Or|20113)10| .75 By Gardoni-Puig—Paso Doble Acc.-Banjo and Cac’est Paris—Gardoni-Puig|21033|10| .75 By Jesse Crawford Organ and Hello, Aloha!—Jesse Crawford|20265)|10| .75 Barchetta—See Nevin’s Music, Album C-5 {Basen oot Stomp—Fox Trot Hayes’ Louisville Stompers Bye-Bye Blues—Fox Trot Hayes’ Louisville Stompers ee & Bailey’s Favorite March (King) Amer. Legion Band sooadl iol 75 March. Salutation (Seitz) American Legion Official Band ; *Indicates old acoustical method of recording. \ 21480 10} .75