Catalogue of Victor Records (1930)

SS SS ee VICTOR RED SEAL RECORDS SCHORR, FRIEDRICH, Baritone, and Berlin State Opera Orchestra No Size List p. Meistersinger—Sach’s Monolog—Part I—Was duftet doch der flieder (How Sweet the Elder’s Scent) Wagner 6789 12 $2.00 Meistersinger—Sach’s Monolog—Part II—Kein’ regel wollte da passen (I Found No Rule That Would Fit It) Wagner 6789 12 2.00 Meistersinger—Verachtet mir die Meister Nicht Wagner 9285 12 1.50 Meistersinger— Was Deutsch und echt Wagner 9285 12 1.50 Rhinegold—Abendlich strahlt der sonne auge—Part I and II Wagner 6788 12 2.00 SCHUBERT MEMORIAL Muriel Kerr, Sadah Shuchari, Isabelle Yalkovsky When, in 1928, a small coterie of musical personages and institutions cast about for some fitting means of observing the 100th anniversary of the death of Schubert, the so-called Schubert Memorial was brilliantly brought into being. This memorial, established to further the opportunities of promising graduate musical students, was the frst to uncover the talents of Muriel Kerr, Sadah Shuchari and Isabelle Yalkovsky. And when these fortunate students were allowed to play with the New York PhilharmonicSymphony Orchestra in Carnegie Hall, New York, their genius was at once acclaimed. It is, of course, impossible to foretell how far these youthful virtuosos may go. But judging from their extraordinary Victor records, the promise is brilliant indeed. SCHUMANN, ELISABETH, Soprano Don Giovanni—Batti, Batti, o bel Masetto (Scold Me, Oh Dear No. Size List p. Masetto) Mozart 7076 12 $2.00 Marriage of Figaro—Non so pil cosa son (I Know Not What I Am Doing) Mozart 1431 10 1.50 Marriage of Figaro—Venite, inginocchiatevi (Now Pray Bend Down Upon Your Knees) Mozart. 1431 10 1.50 Marriage of Figaro—Voi lo sapete (What Is This Feeling) Mozart 7076 12 2.00 SCHUMANN-HEINK, ERNESTINE, Contralto (Shoo-mahn-Hynk) ian eles Mme. Schumann-Heink has been long in America, and ee has been long and closely identified with American life. At the age of ten she was sent to the Convent of the Ursuline in Prague, where she sang in the choir, but entirely by ear. Her father was afterward transferred to Graz, where a teacher named Marietta von Le Clair, who had recognized the signs, offered to give the budding genius her efforts without pay. The wise teacher kept her on nothing but exercises for two years before she gave her songs by Mendelssohn, Schubert and other composers. In 1878 she made her first appearance at the Dresden Opera House as Azucena in “Il Trovatore.” Her first appearance in New York was in 1898. American audiences immediately took her to their hearts and refused to allow her to return to fF A Europe, since which time she has served the New World |(447/7 4. pots long and brilliantly. During the World War she endeared SCHUMANN-HEINK herself to further thousands by her song recitals in the army training camps. Her public appearances have become fewer since that time, but she still sings occasionally as an honored guest at the Metropolitan. THE SCHUMANN-HEINK RECORDS Sire eBaat or “At Parting Peterson-Rogers 1300 10 $1.50 By the Waters of Minnetonka Lieurance 1198 10 1.50 * Danny Boy Fred E. Weatherly 6276 12 2.00 *Erlkénig (The Erlking) (Op. 1) In German Schubert 6273 12 2.00 Gétterdammerung—Hére mit sinn, was ich dir sage! (Hearken to What I Tell Thee!) Wagner 7107 12 2.00 *Indicates old acoustical method of recording.