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VICTOR RED SEAL RECORDS
SETTI, GIULIO, Conductor—See Metropolitan Opera Orchestra SEVITZKY, FABIEN, Cond.—See Philadelphia Chamber String Simfonietta SHAVITCH, VLADIMIR, and SYMPHONY ORCHESTRA No. Size List p.
Campo (The Country) Part | and Part 2 Eduardo Fabini 9156 12 $1.50 Campo (The Country) Part 3 and Part 4 Eduardo Fabini 9157 12 1.50 SHERIDAN, MARGHERITA, Soprano No. Size List p. Madame Butterfly—Ancora un passo (Entrance of Butterfly) Puccini 7064 12 $2.00 Madame Butterfly—E Questo? (And This?) Puccini 7064 12 2.00 Madama Butterfly—Un bel di vedremo (Some Day He’ll Come) Puccini 7102 12 2.00 Otello—Ave Maria Verdi 7102 12 °& 2.00 SHUCHARI, SADAH, Violinist (Shoo-hah’-ree) No. Size List p. Melodie Arabe Glazounow-Kochanski 4114 10 $1.00 Sicilienne and Riguadon Francoeur-Kreisler 4114 10 1.00
ST. LOUIS SYMPHONY ORCHESTRA
The St. Louis Symphony Orchestra was a fine, vigorous flower of the new growth of music in America. Under the conductorship of Rudolph Ganz, long known as a pianist, teacher, composer and orchestral conductor, it rose to a high place among organizations of its type.
In its pioneerhood it undertook exacting and difficult programs, and with surprisingly beautiful results. Its training with Ganz was thorough and it carried the orchestra to splendid levels of achievement.
THE ST. LOUIS SYMPHONY ORCH. RECORDS Wee Country Dance, No. 1 (‘‘Nell Gwyn’’) German 9009 12 $1.50
Fingal’s Cave—Overture, Parts I and II (Hebrides) (Op. 26) Mendelssohn 9013 12 1.50 Pastoral Dance No. 2, Merrymakers’ Dance No. 3 (‘Nell Gwyn’’) German 9009 12 1.50
STOCK, FREDERICK, Conductor—See Chicago Symphony Orchestra STOKOWSKI, LEOPOLD, Conductor (Sto-koff’-skee)
Leopold Stokowski is one of the greatest living masters of that most gigantic, most sensitive and most difficult of all musical instruments—the symphony orchestra—with its hundred or more individual wills. The mind of the great orchestral conductor is much like that of the simultaneous blindfold chess-player; who must not only keep the functions of many separate pieces in mind, but also their bearings upon one another; and he has this added difficulty, that he does not deal with inert mathematical certainties, but with the plastic material of human emotion and the evanescent human sense of beauty. Stokowski’s achievements in this peculiar sphere have become part of the true history—the inner history—of music in America.
Stokowski is of Polish origin—was educated in Germany, France and England, and is now a naturalized American citizen. In 1912 he became conductor of the Philadelphia Orchestra, raising it to the front rank of the world’s organizations. His recordings as its conductor are listed under the heading ‘‘Philadelphia Orchestra,’ in this section.
STRAUSS, RICHARD, Conductor—See Tivoli Orchestra
SYMPHONY ORCHESTRA—For carious conductors see “‘Coates,”” “‘Del Cupolo,” **Goossens’” and “‘Shavitch.”
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