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THIBAUD, JACQUES, Violinist (Tee-boh’, Zhack)
Jacques Thibaud is one of the greatest living exponents, at the violin, of French music and French tradition— to which he adds a well-deserved authority as an interpreter of Mozart and the “classics” generally. He has often been heard in the United States, and with fine success. For the Schubert Trio, see under Cortot.
THE THIBAUD RECORDS No. Size List p.
Concerto in E Flat Major—Allegro
moderato—Parts I and II (Ist
Movement) Mozart 6744 12 $2.00 Concerto in E Flat Major—Allegro
moderato—Part III (Conc.) Mozart 6745 12 2.00 Concerto in E Flat Major—Un poco
adagio—Part IV (2nd Movement) 6745 12 2.00 Concerto in E, Flat Major—Un poco :
VICTOR RED SEAL RECORDS
adagio—Part V (Conc.)—Rondo THIBAUD Concerto in E Flat Major—Rondo—Part VI (Concluded) Mozart 6746 12 $2.00 Romance in F—Parts I and II Beethoven 6606 12 2.00
THIBAUD AND CORTOT Sonata in A Major (Fauré, Op. 13) Violin and Piano Complete on Three Double-Faced Victor Records Nos. 8086-8087-8088 List Price $7.50 Sonata in A Major (Franck) Violin and Piano Complete on records 6524, 6525, 6526, 6527. List Price, $8.50
TIBBETT, LAWRENCE, Baritone
Lawrence Tibbett, baritone, was born at Bakersfield, California; when he was seventeen his voice was discovered by Joseph Dupuy in a school theatrical performance. He studied with Dupuy and with Basil Ruysdael, and for eight or nine years sang in church, concert and light opera. Coming to New York, he was engaged by the Metropolitan Company. He memorized Italian réles before he knew the precise meaning of the words. Cast for the réle of Ford at a revival of Verdi’s Falstaff, . a riot of applause broke forth for him at the end of the 7 TIBBETT second act. Since then he has mastered, and triumphed in, other réles. His voice is rich, powerful and marvellously expressive, and his stage presentations are splendidly vivid and human.
| (3rd Movement) Mozart 6746 12 2.00
THE TIBBETT RECORDS No. Size List p. Believe Me If All Those Endearing Young Charms Moore 1238 10 $1.50 Calm as the Night (Goetze) with Bori 3043 10 2.00 Carmen—Chanson du Toreador (Act II) with Metropolitan Opera Cho. 8124 12 2.50 Drink to Me Only With Thine Eyes Jonson 1238 10 1.50
King’s Henchman—Nay, Maccus, Lay Him Down with Met. Opera Cho. 8103 12 2.50 King’s Henchman—Oh, Caesar, Great Wert Thou! with Met. Opera Cho. 8103 12 2.50
Oh, That We Two Were Maying Kingsley-Nevin 1172 10 1.50
. Old Black Joe (with*Male Quartet) Foster 1265 10 1.50
» Pagliacci—Prologue, Part I (Si Puo!—A Word) In Italian Leoncavallo 6587 12 2.00 Pagliacci—Prologue, Part II (Un nido di memorie—A Song of Tender
Memories) /n Italian Leoncavallo 6587 12 2.00
Tales of Hoffman—Barcarolle (Offenbach) with Bori 3043 10 2.00
Thy Beaming Eyes Gardner-MacDowell 1172 10 1.50
Tosca—Te Deum (Act I) with Metropolitan Opera Chorus 8124". 12" 2.50
Uncle Ned (with Male Quartet) Foster 1265 10 1.50