Victor records (1925)

eid, VICTOR RECORDS Number 3 3S MACFARLANE, GEORGE, Baritone Can’t You Hear Me 45185 My Own HomeTown 45074 ribet s an Irish Ireland 45074 ‘ Lullaby 45185 Es pis iy Toast Scotch Specialty Sir Harry pouden, 55131112|1.50 When I Get Back Again to Bonnie Scotland Sir Harry Lauder) ‘ ie Curly-Headed Babby Plantation Song (Clutsam) ere nat 1oa2 10160 The Sweetest Story Ever Told (Stults) Hulda Lashanska ; oc Curly-Headed Babby (Clutsam) Olive pane 451781 10'T.00 Lo, Here the Gentle Lark (Shakespeare-Bishop) Olive Kline) | bas feceaeae Trish Song (Rowe-MacMurrough) John NM ioeet 759/101 1.50 Dream, A_ (Charles B. Cory-J. C. Bartlett) John McCormack his taser (Rowe-MacMurrough) Charles es 17676|10! .75 Sweet Inniscarra (Chauncey Olcott) Reed Miller : MADAMA BUTTERELY (Puccini) (Milan, 1904) Jn /talian unless otherwise noted. (See Victrola Book of the Opera for complete description) ACT I—pInKERTON’S HOUSE AT NAGASAKI Amore o grillo (Love or Fancy) and Ve lo dissi—Caruso and Scotti} 8014)/12|2.50 Entrance of Butterfly (Ancora un passo) and Gianni Schicchi—O mio—Alda| 528)10\1.50 Entrance of Butterfly (Ancora un passo) and Jeri son salita—Farrar| 616)|10)1.50 Ieri son salita (Hear What I Say) and Ancora un passo—Farrar| 616)10)1.50 O quanti occhi fisi (Oh Kindly Heavens) and Manon—Farrar and Caruso| 8011) 12\2.50 O quanti occhi fisi and Bohéme—O soave fanciulla—Alda and Martinelli| 8002|12)|2.50 O quanti occhi fisi (Oh Kindly Heavens) Kline-Althouse and Aida—Fuggiam gli ardori (Ah! Fly With Me) Marsh-Althouse|55058|12/1.50 ACT II—Scene ]—1nNTERIOR OF BUTTERFLY 'S HOME Un bel di vedremo (Some Day He’ll Come) and Tosca—Vissi d’arte—Farrar| 6110}12|2.00 Un bel di vedremo (Some Day He’ll Come) and Tosca—Vissi d’arte—Alda\| 6037/|12/2.00 Un bel di vedremo—Alda and Tutti i fior—Alda-Braslau| 8044|12|2.50 Un bel di vedremo—Galli-Curci and Barbiere—Una voce—Galli-Cuici| 6130|12|2.00 Some Day He'll Come /n English Kimball and Martha—Spinning Wheel Qt.—V. Opera Qt.|55114|12 1.50 Ora a noi! (Now at Last!) and Marriage of Figaro—Farrar and Scotti| 8039 12)2.50 Sai cos’ ebbe cuore (Do You Know, Sweet One) and L’ ultima scena—Farrar| 617/|10/1.50 Tutti i fior (Duet of Flowers) Alda-Braslau and Un bel di vedremo—Alda| 8044) 12|2.50 ACT II—Scene ]]—rTHE saME Ve lo dissi? (Did I Not Tell You?) and Amore o grillo—Caruso and Scotti) 8014|12|2.50 Lo so che alle sue pene (Naught Can Console) Fornia, Martin and Scotti/g7503/10/1.25 Butterfly’s Death Scene (L’ultima scena) and Sai cos’ ebbe—Farrar| 6 17/10|1.50 MISCELLANEOUS MADAMA BUTTERFLY RECORDS MADAME BUTTERFLY—FANTASIE Herbert’s Orchestra | Opening of Opera—‘‘ Waiting Music’’—“‘Entrance of Butterfly’’— **Love Duet” and Finale, Act | 55094) 12/1.50 {| A Dream of Love (Liszt) Herbert’s Orchestra Fantasie “Cello Bourdon and La Bohéme Selection—Vessella’s Italian Band|35353\12/1.25 Madame Butterfly Selection and Bartered Bride Overture (Smetana) Pryor’s B\35148/|12'1.25 Madame Butterfly Selection—No. 2 and Tannhduser Selection—Pryor’s Band|35331)12\1.25 MADAME SHERRY (Hauerbach-Hoschna) GEMS FROM “MADAME SHERRY” Victor Light Opera Co The Smile She Means for You’’—“‘ The Butterfly ’’—‘‘ Every Little Movement’’—"The Birth of Passion’ —“* For We're Only Poor Weak ?/35410/12/ 1.25 Mortals’’"—‘*Every Little Movement’’"—‘‘We'’re Off for an Ocean Sail”’ Gems from ‘‘ The Quaker Girl’’ Victor Light Opera Co {Need Leo Perfect Day (Victor Herbert) pet 12'2.00 Love’s Own Sweet Song ( from‘‘Sari’’) (Cushing-Heath-Kalman) Alda} | coae ba