Victor records (1925)

VICTOR RECORDS “Number | 2] 2 2 {Tuck Me to Seana In My Old’Tucky Home) Deiter Coredon pee) ei a 10| .75 Plantation Lullaby ( Stevens-Gillette-Holmer) Hart-Shaw ee Be Me to Sleep—Fox Trot Benson Pore f eesoltoleers Wabash Blues—Fox Trot (Meinken) Benson Orchastra 3 tee -Habafiera (To You—A Song of Havana) Spanish Glucley 658/10! 1.50 Chanson Indoue (A Song of India) (From ‘‘Sadko’’) French Gluck!) ; ieee Time—Fox Trot (Intro. ‘““Shimmee Town’’) Smith’s Orch} i g618 10| .75 Yellow Dog Blues—Medley Fox Trot Smith’s Orchestra} | Turkey in the Straw | By Gilliland-Robertson Violins and Ragtime Annie— Robertson 19149)10} .75 By Pietro Accordion and Russian Rag (Cobb) Accordion Pietro 18743)10| .75 By Fred Van Eps Banjo and Auld Lang Syne— Westminster Chimes 1639010} .75 By Billy Golden and Niggah Loves His Ora olla T aac 1725610} .75 ‘ectincs Specialty—Darky Comedy Golden and Hughes} Weasiti0rn75 Grizzly Bear (Berlin-Bottsford ) Murray and American Quartet) , Turkish March (from ‘Ruins of Athens”) (Beethoven) | By Jascha Heifetz Violin and Chorus of Dervishes—Heifetz, 671/10 1.50 By Mischa Elman Violin and Country Dance (Weber-Elman) Elman 598}10} 1.50 By Olga Samaroff Pianoforte and Sparks (Moszkowski) Samaroff 825)10) 1.50 By Guiomar Novaes Pianoforte and Spring Song (Mendelssohn) Novaes| 795)|10} 1.50 By Victor Concert Orch and Bolero in D Major (Moszkowski) V. Concert Or. 18396|10| .75 Turkish March (Mozart) Harpsichord Wanda pando weet Harmonious Blacksmith (Handel) Harpsichord Wanda Landowska | TURKISH MUSIC—See ‘“‘Moszkowitz” and Turkish Catalog | 973/10) 1.50 Turkish Patrol (Michaelis) Xylophone William H. a 562| 101 .75 Santiago Waltz Guitar and Bandurrias Estudiantina Trio ee | TURNER, ALAN, Baritone Bedouin LoveSong’ 17473 Kathleen Mavourneen! 6404 Rule Britannia 16134 Carmen—Toreador 16521 Lost Chord 35049 Tannhauser 17446 Crossing the Bar 17564 Maple Leaf Forever 17304 There is a Green 35049 God Save the King 16134 Oh, Promise Me 17189 Till the Sands 35259 How Can I Forget 18352 O sole mio 17536 "Tis Not True 17933 Juanita 17933 Paloma, La 17536 Trovatore—Tempest 16521 Turn Ye to Me—Scotch Air (Wilson-North) John McCormack|74435) 12|1.50 Tu se’ morta (Thou Art Dead) (From ‘“‘Orfeo”’) Jn Italian syerrenratt AEORSIOIT OG Douce dame iolie (Machault) (2) L’espoir que j’ai French Murphy : TUSKEGEE INSTITUTE SINGERS—See the following titles We take pleasure in presenting these examples of Negro Folk Songs by the Tuskegee Institute Singers—from the famous school of the late Dr. Booker T. Washington, Tuskegee, Ala.—who sing these inherited old ‘‘ Spirituals,”” as did their grandfathers, in deep reverential spirit, with all the native, peculiar richness of tone-coloring and harmonies that make these songs of real use in an educational and historical sense. There are no more beautiful examples of genuine folk songs anywhere in the world than those which have grown up in the peculiar conditions of the development of singing among our American negroes. ‘The roots of melody and rhythm and the weird harmonies were brought no doubt from Africa, but the application to the needs of expression in religious fervor, unity of effort in labor, in the cotton field or on the levee, are wholly American. Another curious fact is that while the early music of the Egyptians, Orientals, Greeks, Indians and practically all primitive peoples is almost invariably in one part, yet set any three or four negroes singing at any time or place and you will instantly hear an accompanying harmony in one or more of the voices. Been a-Listenin’ 18446 I Want to Be Like 17688 Old Time Religion 18075 Go Down Moses 17688 I Want to be Ready 18446 Roll, Jordan, Roll 18237 Good News 17663 Live a~-Humble 17663 Steal Away 17890 Heaven Song 18075 My Way’s Cloudy 18447 Swing Low 17890 I’ve Been ’Buked 18447 Nobody Knows 18237