Victor records (1925)

VICTOR RED SEAL RECORDS THE TETRAZZINI RECORDS (Sung in Italian unless noted) Nook Sivek aes Barbiere—Una voce poco fa _ (A Little Voice I Hear) Rossini 6337 12 $2.00 Bonnie Sweet Bessie Jn English Root-Gilbert 6338 12 2.00 Carnival of Venice—Part I (with Variations) Jules Benedict 6339 12 2.00 Carnival of Venice—Part II (with Variations) Jules Benedict 6339 12 2.00 Grande Valse (Op. 10) Venzano 6341 12 2.00 Lucia (Mad Scene) (with flute obbligato by Oesterreicher) Donizetti 6337 12 2.00 Lucia Sextette (Donizetti) with Caruso, Amato, Journet, Jacoby and Bada 96201 12 2.50 Martha—Last Rose of Summer I[n English Moore 6343 12 2.00 Masked Ball—Saper vorreste (You Would be Hearing) Verdi 6341 12 2.00 Pearl of Brazil—Charmant oiseau (Brilliant Bird) (Flute 0bb.) French 6343 12 2.00 Rigoletto—Caro nome (Dearest Name) Verdi 6344 12 2.00 Roméo et Juliet—Valse (Juliet’s Waltz Song) Gounod 6345 12 2.00 Sonnambula—Ah, non giunge (Recall Not One Earthly Sorrow) Bellini 6345 12 2.00 Swallows, The Jn English Bingham-Cowen 6338 12 2.00 Traviata—Ah! fors’ é lui (2) Sempre libera Verdi 6344 12 2.00 THIBAUD, JACQUES, Violinist (Tee-boh Zhahk) See ‘Famous Artists of Europe”’ TOSCANINI and LA SCALA ORCHESTRA = Arturo Toscanini is one of the greatest living masters of the difficult art of conducting an orchestra—which is not the simple process of “beating time”’ so many might fondly suppose, but an art demanding powers of attention—and perception—given to but few. He is of Italian birth but cosmopolitan training, for he has conducted everywhere. His knowledge of music, and his memory for music, are very great, for he never uses a score while conducting, depending wholly upon a memory little short of prodigious. He is able, offhand, to conduct any one of more than 150 operas without notice, and innumerable concert works. His records made for the Victor Talking Machine Company with the famous orchestra of La Scala in Milan, the world shrine of Italian opera, include examples of both early and late orchestral music. TOSCANINI In his mature life, he has been making an extraordinary fight for the recognition of living composers, holding, and with a superb sense of justice, that martyrdom is not, perhaps, the truest reward of genius, however it may ennoble its history. Many an unrecognized creative genius has owed recognition to Arturo Toscanini. TOSCANINI and LA SCALA ORCHESTRA RECORDS No Se 1a p Carmen—Aragonaise (Prelude to Act 4) Bizet 839 10 $1.50 Damnation of Faust—RAakéczy Hungarian March (Op. 24) Berlioz 6300 12 # 2.00 Don Pasquale—Overture, Part I Donizetti 841 10 1.50 Don Pasquale—Overture, Part II Donizetti 841 10 1.50 Farandole (from L’Arlésienne Suite No. 2) Bizet 839 10 1.50 Féte Bohéme (Bohemian Festival) (No. 4 from “‘Scénes Pittoresques’’) 6301 12 °&# 2.00 Gagliarda (Galliard—An Old Dance) Vincenzo Galilei 6301 12 2.00 Midsummer Night’s Dream—Wedding March Mendelssohn 6302 12 2.00 Midsummer Night’s Dream—Scherzo Mendelssohn 6302 12 2.00 Pisanelle, La—Le quai du port de Famagouste (The Quay of the Port of Famagusta) Pizzetti 840 10 1.50 Secret of Suzanne—Overture Wolf-Ferrari 840 10 1.50 Symphony No. | in C Major—Finale (Op. 21) Beethoven 6300 12 2.00 Symphony in E Flat Major—Menuetto (3d movement) Mozart 6303 12 2.00 Symphony in E Flat Major—Allegro (4th movement) Mozart 6303 12 2.00 Symphony in C Minor, No. 5—Finale (4th movement—Part I) Beethoven 6304 12 2.00 Symphony in C Minor, No. 5—Finale (4th movement—Part II) Beethoven 6304 12 2.00