Victor records (1928)

ar ‘ee Y our Finger Out of Your Mouth—Fox Trot Napoleon’s hee Size List pre VICTOR RECORDS Number | : eae This Rose Maurice J. ee | T Consolation (Gunsky) Maurice J. Gunsky o 20236/10| .75 Go Joe Go—Blues Stomp Phil Napoleon and His Orchestra Ce Tales from the Vienna Woods (Strauss) By Lucrezia Bori (Storiella) Italian and Love-Tide of Spring Italian Bori 6699 | 12|2.00 By Philadelphia Or— Waltz and Blue Danube Waltz—Phila. Sym. Or| 6584) 12/2.00 By Marek Weber and His Orchestra—Waltz—Part | and Part 1]|20915)|10| .75 TALES OF HOFFMAN (Contes d’Hoffmann) (Offenbach) See Victrola Book of the Opera for complete illustrated description * Barcarolle—‘‘Belle Nuit’’ (Oh, Night of Love) French and Life’s Dream—Gluck-Homer| 3010/10/2.00 Barcarolle—Bori-Tibbett and Calm as the Night (Goetze) Bori-Tibbett| 3043|10)2.00 * Barcarolle—McCormack-Kreisler and Serenade (Raff) McCormack-Kreisler| 3019|10|2.00 Barcarolle— Waltz and Spring Song—Waltz (Mendelssohn) International Concert Orchestra 35839 |12|1.25 Barcarolle and Cavalleria—Intermezzo—V ictor Concert Orchestra|20011|10| .75 Les oiseaux dans la Charmille (Doll Song) French Talley and Mignon—Je suis Titania—Talley| 6713 12|2.00 Talking to the Moon The Rergiers| { No Foolin’ The Revelers/\s00es) (| 72 TALLEY, MARION, Soprano—See Red Seal Section Tambourin (Rameau-Godowsky) Master Shura Sacisaaeeh 45508\1011.00 Hunting Song (Mendelssohn) Piano Master Shura Cherkassky : eee Le (Rameau) (2) Le Coucou—Rondo Pando Ena ia88 OlsO Minuet—Don Juan (Mozart) Harpsichord Wanda Landowska ; Tamiami Trail Gene een { But I Do—You Know I Do Gene Austin} |20084|!9| -75 He cone Trot Original Memphis F Net SOONOTIGHAT: Static Strut—Fox Trot Original Memphis Five aes {Tangcie Rete (Valentino) (Bada-Shilkret) Internat’! Novelty aan SOLE IOEDS Dream Tango (Le Tango du Reve) (Malderen) International Novelty Or : TANNEN, JULIUS, Hebrew Comedian Cohen at the Telephone 20921 ee Der (The Christmas Tree) Ger. ere erceeaat 3044|1012.00 Silent Night, Holy Night (Gruber) InGerman Lashanska-Reimers lies: TANNHAUSER (Tahn’ hoy-zer) Words and music by Richard Wagner. First presented Dresden, 1845; Paris, 1861; London, 1876; New York, 1859. Tannhdauser, with its poetry, and romance; its characters, who are real human beings and not mythological gods, goddesses and heroes, appeals strongly to the average opera-goer. The story tells of conflict between two kinds of love: pure love as distinguished from mere sensuous passion; and relates how the higher love triumphed in the end. Tannhdauser, a knight and minstrel, in an evil moment, succumbs to the wiles of Venus and dwells for a year in the Venusberg. Tiring of these monotonous delights, he leaves the goddess and returns to his home, where he is warmly received and told that the fair Elizabeth, niece of the Landgrave, still mourns for him. Heis urged to compete in the Tournament of Song not far distant, the prize being the hand of Elizabeth. The theme of the contest is The Nature of Love, and when Tannhduser’s turn arrives the evil influence of the Venusberg is apparent when he delivers a wild and profane eulogy of passion. Outraged by this insult, the minstrels draw their swords to slay him, but Tannhduser is protected by Elizabeth, who pleads for his life. Coming to his senses, too late, he repents, and when a company of Pilgrims pass on their way to Rome, he joins them to seek pardon for his sin. In the last act we see Elizabeth, weary and worn, supported by the noble Wolfram, who also *Indicates old acoustical method of recording.