Victor records (1928)

VICTOR RECORDS gS Number 5 — .* eo a ees _— = In Act I the rival suitors, in an effort to see Leonora, meet and a duel takes place, but Manrico generously spares the Count’s life. Act II opens.in the gypsy camp, where Manrico under the care of Azucena, is recovering from a recent wound. He learns that Leonora, thinking him dead, is about to take the veil, and that the Count intends to abduct her. He hastens to her and after an encounter in the Convent, Leonora is rescued. In the third act the lovers are finally about to be united, but Manrico suddenly learns that Azucena is in the power of the Count and condemned to be burned, and in his attempt to release her heis also captured by di Luna. In the last act Leonora, to save Manrico, offers to wed the Count, but takes poison as soon as the order of release is signed. Discovering this, the Count orders Manrico to instant execution, but just as the Troubadour dies the gypsy, Azucena, reveals to di Luna that he has killed his own brother. ACT II—Scene ]—cyrsy CAMP IN THE BISCAY MOUNTAINS eae EE aren ee ee Anvil Chorus—Victor Mixed Cho and Tannhduser—Pilgrim’s Cho—V.. Male Cho Anvil Chorus—Pryor’s Band and Forge in the Forest—Pryor’s Band * Stride la vampa! (Fierce Flames) and Samson—My Heart—Besanzoni * Stride la vampa—Matzenauer and Lucrezia Borgia—Matzenauer ACT II—Scene ]]—a coNvENT CLOISTER * II balen del suo sorriso and Don Carlos—Carlo ascolta—de Luca ACT III—Scene ]]—manrico’s CASTLE * Ah, si ben mio (The Vows We Plighted) and Martha—M ‘appari—Caruso * Di quella pira—Caruso and Traviata—Brindisi—Gluck-Caruso ACT IV—Scene ]—ouTSIDE THE PALACE OF ALIAFERIA * Miserere, Caruso, Alda and Cho and 4i nostri monti—Schumann-Heink-Caruso * Miserere Jn English Kline, Macdonough and Chorus and Home to Our Mountains—Dunlap-Macdonough Miserere—Creatore’s Band ACT IV—Scene []—pPprRisoN CELL OF MANRICO * Ai nostri monti—Schumann-Heink—Caruso and Miserere—Alda-Caruso-Cho * Home to Our Mountains /n English Dunlap-Mac and Miserere—Duet-Chorus| MISCELLANEOUS TROVATORE RECORDS Selection Part I and Part 1]—Creatore’s Band er Trot Paul Whiteman and His eens When the Red, Red Robin Comes—Fox Trot Whiteman’s Orchestra (ers and Obey Henry Bua Safe in the Arms of Jesus Henry Burr ‘an Ca Nun Chiagne! (You That Wept Not) Neapolitan Soaks *\ Noche Feliz (Happy Night) (Posadas) In Spanish Enrico Caruso & Turkey in the Straw * By Gilliland-Robertson Véiolins * By Pietro Accordion and Russian Rag (Cobb) Accordion Pietro * By Billy Golden and Niggah Loves His ’Possum—Collins-Harlan ees: March (‘‘Ruins of Athens’’) (Beethoven) Rechmaninete Brooklet (Schubert-Rachmaninoff) Piano Sergei Rachmaninoff ere March (Mozart) Harpsichord Wanda Lando Harmonious Blacksmith (Handel) Harpsichord Wanda Landowska fihancs March (Marcia Turca) (Mozart) Boccaccio—Tarantella and Waltz (von Suppé) TUSKEGEE QUARTET Creatore’s Band Go Down Moses 20518 I Want to be Like Jesus 20518 Golden Slippers 20843 Live a~-Humble 20520) Good News 20520 Old-Time Religion 20519) Heaven Song 20843 Steal Away to Jesus *Indicates old acoustical method of recording. and Lucia—Sextette—Creatore’s Band 35850 12) and Ragtime Annie— Robertson 19149 10 Creatore’s Set 20519) | 20127 10) .75 19879 10) .75 541 1011.50 999 101.50 593 10/1.50 | 6002 122.00 3031 10/2.00 | 8042 12|2.50 | 35443 12|1.25 1.25 8042 12/2.50 35443/12/1.25 35778 121.25 20177 10| .75 19825 10| .75 958 10/1.50 Wh75 18743 10, 75 117256|10| .75 1196 10|1.50 1193 10/1.50 68711 12/1.25 Be