Victor records (1922)

“VICTOR RECORDS Number | 3/3 = RENARD TRIO— Violin, ’Cello and Pianoforte R Spinning Song Song Without Words e (Mendelssohn) 35159 (The Cloud) 35155 RENAUD, MAURICE, Baritone (See ‘Famous Artists” in Pink Sec.) Ren eae aN Ts sore (The Trysting Place) (Komzak) Victor a 17476110) .85 Wedding of the Rose—Intermezzo (Jessel) Conway’s Band : {Reese Band—March (Chas. S. Sweeley) Conway’s Beat 18607]10| .85 General Pershing—March (Vandersloot) Victor Band : ieee Mass in C Minor Latin Victor Oratorio Chor 55075121 1.50 Guide Thou My Steps (From ‘‘The Water Carrier’’) |Werrenrath : Requiem Mass Ingemisco (Sadly Groaning) (Verdi) Latin Caruso/88514|12/1.75 Rest for the Weary (McDonald) Hayden Querer ti 6261\10| .85 Shall We Gather at the River (Lowry) Hayden Quartet . Return of Spring (Robert Schumann) Evan Williams 64217) 10}1.25 {eer ere du soir (‘Suite Algérienne”’) Victor Concert eee 35668) 1211.35 Marche Militaire Francaise (Saint-Saéns) Victor Concert Orchestra . REVIVAL HYMNS—See “ HYMNS” Revoltosa, La—Por qué de mis ojos (Romance) Spanish Bori-de Segurola|s9127|12'2.00 Rhapsodie Hongroise—See “‘Hungarian Rhapsody” Rhyfelgyrch Gwyr Harlech (March of the Men of Harlech) Welsh Glyndwr Male Choir ?/72812)10| .85 Gypsies’ Laughing Chorus In English Glyndwr Welsh Male Choir). Rienzi Overture—Part 1 (Wagner) Philadelphia Orchestra| 74602! 12) 1.75 Rienzi Overture—Part II (Wagner) Philadelphia Orchestra!/74603} 12) 1.75 Rienzi Overture (Wagner) Arthur Pryor’s pang} 1211.35 W alkiire—Masgic Fire Spell (Wagner) Vessella’s Band§ |3°387 ; (me Regiment March (Sousa) United States Marine peat Marine Corps Institute March (Branson) U.S. Marine BundS 18785|!0| 85 Rigaudon (Monsigny) Violin Mischa Elman '64201)10)1.25 Rigodon de Dardanus (Rameau) POrchestre Syrappeniaus} Isoline Ballet-—Valse (Messager) 1’Orchestre Symphonique du Paris 720) 10) .85 RIGOLETTO (Rig-oh-let’-toh) (Sung in Italian unless otherwise noted) Opera in three acts; text by Piave, adapted from Hugo’s drama Le Roi s’Amuse ; music by Verdi. First produced Venice, 1851; London, 1853; Paris, 1857; N. Y., 1857. The scene is laid in Mantua and vicinity in the sixteenth century. The story tells of the gay and unprincipled Duke of Mantua, who is assisted in his crimes by his jester, Rigoletto, a hunchback. The father of one of the Duke's victims is mocked by Rigoletto, and launches upon him a father’s awful curse, which stuns and sobers the jester, as he, too, has a daughter, Gilda, unknown to the court. On his wa home Rigoletto meets a professional assassin, Sparafucile, who offers, for a price, to kill any enemy he may have. Rigoletto says he may need him later. The Duke, in the guise of a young student, has already met Gilda, not knowing who she is, and the young girl has fallen in love with him. When Rigoletto has left the house the Duke's courtiers abduct Gilda and take her to the Palace. The father’s rage is terrible to witness, and he goes to the Palace, but too late to save his daughter. She pleads for the Duke's life, but Rigoletto swears to kill him, and_arranges with the assassin, Sparafucile, to accomplish the deed. The Duke is lured to a lonely inn by Sparafucile’s attractive sister, Maddalena, and is about to be murdered when Maddalena, who has taken a fancy to him, begs for his life. Sparafucile consents provided a substitute should happen along before midnight. Gilda, whom Rigoletto had brought hither (disguised as a page) in order that she might witness the fickleness of her love: has been listening to the conversation, and now resolves to save the