Celluloid : the film to-day (1931)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

PREFACE This would seem to be the most fitting place in this survey to record the great loss sustained by the cinema in the recent deaths of F. W. Murnau, Lupu Pick and Edmund Meisel. All three were sincere artists who contributed much to the progress of the film, and yet their departure has received but casual mention in the English Press. I think the name of Murnau will live longest in the mind of the student, for the films he made during the golden period of the German cinema were without exception noble pieces of craftsmanship. Dracula, Phantom, The Last Laugh, Tartuffe and Faust, produced between 1922 and 1926, supply plentiful proof of Murnau's genius for the cinema. In the Fox studios at Hollywood, whither he went with Karl Mayer, the scenarist, in 1927, he commanded the greatest respect, but we were too well acquainted with American methods of production to expect Sunrise, The Four Devils and Our Daily Bread to be anything except shadows of his German accomplishment. By the time this is being read his last film, Tabu, made in the Society Islands with the aid of Robert Flaherty and his own finance, will have been shown in England. ix