Celluloid : the film to-day (1931)

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EARTH I43 Then quietness again as evening draws on. Rest and peace descend after the labour of the day. Shadows grow long across the screen. It becomes difficult to see. Layers of creeping mist circle over a pool of water. Groups of men and women stand together, holding hands in the cool of the evening. Supreme in safety, a girl leans her head against her lover's breast. Fingers are entwined with fingers, rough with the touch of corn-stalks. There is perfect stillness in the dusk. Away in the distance, the Kulak's son is reeling home, dancing drunkenly from side to side of the road. A neighbour follows and tells him that the tractor has been driven across his fields. Elsewhere, Vassily is returning to the village, his heart filled with joy at the success of his day. It is now almost dark and deathly silent. A horse grazes in the dew-strewn grass. Vassily stops and wonders as his soul is filled with the greatness of life. Gradually he begins to dance, gently at first and then quickly, movements of joy and happiness. Faster and faster he twirls in the dusty cloud at his feet, advancing step by step up the winding white road. The camera retreats before him as he throws his whole heart into this dance of passionate joy, until he comes near the lights in the village. Suddenly, at the height of his movement, he drops flat in the dust. The starded horse lifts its head. Vassily lies dead. The father is stricken with grief. He shouts to the four winds across the expanse of the fields, " Who has killed my Vassily? " A priest comes to his house but is refused admittance. Instead, the father goes to the communal farm and asks that his son may be buried