Celluloid : the film to-day (1931)

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CIMARRON Directed by Wesley Ruggles (Produced by Radio Pictures, Hollywood, U.S.A., 1930) The gigantic sweep of the American cinema today, embracing every conceivable type of story, has sprung with logical development through the course of years from two distinct (yet curiously related) sources of origin — the Slapstick and the Western. Years before sex-appeal was thought entertaining or gangsters considered heroes, before Sternberg became clever or Lubitsch went to America, the cinema was seriously concerned with stories of fat men who batted each other over the head and lean cowboys who were in a constant state of riding to the rescue at the critical moment. Strange though it may seem to the sophisticated filmgoer of to-day, crude as these films were, they contained the main essentials of what we have come to call the science of cinematography. What mattered to Mack Sennett and the anonymous makers of the Westerns was action — whether of horses, railway trains, motor-cars or simply of Kops chasing a comedian. Speed was the be-all and end 154