Celluloid : the film to-day (1931)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

238 CELLULOID cinematic means, the idea and material of this film as staged by Lang would have held a stream of audiences spell-bound for many months. But as it is The Woman in the Moon shows no real advance since Metropolis, and that was almost five years ago, a long time in the history of the cinema. In certain respects a showman, definitely a great metteur-en-scene, but only partially a film director, Fritz Lang is to be reckoned as a force in the worldcinema; his bigness of outlook compels our admiration. Happily he is only as yet half-way through his film career. There is still time for him to come to understand more fully the basic principles of cinematography and to employ them in an exposition of his vast conceptions. When this shall happen, I foresee films of unbelievable magnitude.