Censored : the private life of the movie (1930)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

PRIVATE LIFE OF THE MOVIE Constitution and similar provisions of State constitutions had some meaning — pre-censorship such as we have pictured it in the earlier chapters of this book would be declared unconstitutional and the state laws would be voided. In 1912 the Board of Aldermen of New York City passed a movie censorship ordinance. It came before Mayor Gaynor. The movie owners, if they had taken time from worrying about their theory of giving the public what it wanted, might have read these stirring words setting forth the Mayor's veto: "It has hitherto been the understanding in this country that no censorship can be established by law to decide in advance what may or may not be lawfully printed or published. Ours is a government of free speech and a free press. This is the cornerstone of free government. The phrase, 'the press/ includes all methods of expression by writing or pictures. In past ages there were censorships to decide what might be published or even believed. 166