Censored : the private life of the movie (1930)

Record Details:

Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

PRIVATE LIFE OF THE MOVIE Knapp — not in ignorance but from fear. Fear of losing money, a majority respect. Consider the evil. We can fight a politician. We need real strength to battle the financial powers of the world. Consider the omniscience of this control, this censored, sapless regard for life. See where our playing has led us. The play is no longer a diversion, it is our bread-maker, thought-dictator, our ruler. "The movies," declares Mr. Hays, "have never engaged in politics." There may be a change. Should there be, Mr. Hays hardly could be ranked as a novice. The utility corporations and their affiliated financial groups are gradually acquiring a hold on the movies. The companies not controlled by the utilities are merging for strength and protection. The Radio Corporation of America controls the R. C. A. Photophone. It controls the old Keith Orpheum chain of theatres. It has a producing company, Radio Pictures. Lock, stock and barrel it is in the movie business. And if R. C. A. would not let a man speak on 186