Charlie Chaplin (1951)

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the importance of Chaplin and his art 9 On his position in motion pictures, however, James Agee in Life Magazine (1949) sums it up: "Of all the comedians he worked most deeply and most shrewdly within a realization of what a human being is, and is up against. The Tramp is as centrally representative of humanity, as many-sided and as mysterious as Hamlet, and it seems unlikely that any dancer or actor can ever have excelled him in eloquence, variety or poignancy of motion. . . . The finest pantomime, the deepest emotion the richest and most poignant poetry are in Chaplin work."