Charlie Chaplin (1951)

Record Details:

Title:
Charlie Chaplin
Date:
1951
Publisher:
New York : Henry Schuman, Inc.
Volume:
Charlie Chaplin
Leaf #:
000318
Language:
English
Collection:
Books
Format:
Books
Contributor:
Media History Digital Library
Sponsor:
{"Media History Digital Library","Richard Koszarski","Jeff Joseph"}
Coordinator:
Media History Digital Library
Description:
Date Added:
March 21, 2024
Something wrong or inaccurate about this page? Let us Know!

Thanks for helping us continually improve the quality of the Lantern search engine for all of our users! We have millions of scanned pages, so user reports are incredibly helpful for us to identify places where we can improve and update the metadata.

Please describe the issue below, and click "Submit" to send your comments to our team! If you'd prefer, you can also send us an email to mhdl@commarts.wisc.edu with your comments.




We use Optical Character Recognition (OCR) during our scanning and processing workflow to make the content of each page searchable. You can view the automatically generated text below as well as copy and paste individual pieces of text to quote in your own work.

Text recognition is never 100% accurate. Many parts of the scanned page may not be reflected in the OCR text output, including: images, page layout, certain fonts or handwriting.

cc 234 The tramp comes to his senses and starts away in panic. But the girl comes out of the shop and calls after him. He shyly hesitates, then lets the girl press the flower and the money into his hand. The touch of his hand tells her who he is. "You?" she asks falteringly. And the little tramp, her flower in his hand, nods, with an embarrassed smile. "You can see now?" he asks. She looks into his eyes, her own eyes dulled by the shattering truth. "Yes, I can see now," she says slowly, and presses his hand. And so they stand, looking into each other's eyes. In the final close up, the tramp, his finger in his mouth, still holding her flower, smiles painfully at her, with a mixture of tremulous hope and terror, as the scene fades out.