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index to films
317
mand, Chester Conklin, Harry McCoy, Slim Summerville. (Also known as Charlie and the Sausages, Love and Lunch, and Hot Dogs.)
Mabel peddles hot dogs at the auto racetrack. Charlie, after a visit to a saloon, butts in, swipes the sausages one by one, and eventually bankrupts Mabel.
MABEL'S MARRIED LIFE
Released by Keystone, June 20, 1914. (1 reel)
Directed by Charles Chaplin and Mabel Normand. With Mabel Normand, Mack Swain, Charles Murray, Hank Mann, Harry McCoy, Alice Davenport, Alice Howell, Wallace MacDonald. (Also known as When You're Married and The Squarehead.)
Disappointed by Charlie because he doesn't rescue her from a large Lothario, Mabel buys a boxing dummy hoping to make a man of her husband. Coming home drunk, Charlie orders the "man" out, but the bouncing dummy overwhelms him. Outstanding scene: Mabel Normand's contemptuous mimicry of Chaplin and her experimental bout with the dummy.
LAUGHING GAS
Released by Keystone, July 9, 1914. (1 reel)
Written and directed by Charles Chaplin. With Fritz Schade (dentist), Alice Howell (wife), Slim Summerville, Mack Swain, Joseph Swickard.
(Also known as Tuning His Ivories, The Dentist, and Down and Out.)
Charlie, as a dentist's assistant, becomes involved with people in the office, flirts with the dentist's wife, uses enormous pliers on a patient, etc. It ends in a free-for-all. Outstanding scene: Charlie enters the office, looks patients over, slowly removes gloves, rubs his hands, then picks up the cuspidors to go to work as a menial assistant. (Prototype of his Surprise Twists.)
THE PROPERTY MAN
Released by Keystone, August 1, 1 91 4. (2 reels)
Written and directed by Charles Chaplin. With Fritz Schade, Phyllis Allen, Mack Sennett (in theatre audience). (Also known as Getting His Goat and The Roustabout.)
See p. 3y, 38, 39, 75
THE FACE ON THE BARROOM FLOOR
Released by Keystone, August 10, 1914. (1 reel)
Directed by Charles Chaplin. With Fritz Schade, Cecile Arnold, Chester Conklin. (Also known as The Ham Artist.)
A burlesque of the famous poem by Hugh Antoine D'Arcy of the broken-down artist who, having lost his wife to another man, draws her face on the floor. Charlie, at a bar, tells his "tragic" story in flashbacks. The sight of his former love and the other man with