CINE World (Jan 1966)

Page scan 0002 from CINE World

Record Details:

Title:
CINE World
Date:
Jan 1966
Volume:
CINE World 10 (Jan 1966)
Leaf #:
0002
Language:
English
Collection:
Hollywood Studio System, Global Cinema, and Canada
Contributor:
Media History Digital Library, Canadian Media Magazines Project, Paul Moore and Jessica Whitehead
Coordinator:
Media History Digital Library
Date Added:
August 01, 2024
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Method Ac'ling.-“Poppycock” ---Snorts © <y ,; GEORGE iIROSE PANHAES ECE SE TESL MOTT CERES S EREOEE CED TRAD CHAEE CSSA COTS O4 OOOO OO 8 OE] Ss SOC 2 hoe 2 Oe eS ae SS woaoRtuDbD SO POE HOO ORE A FERRO GOO Oooo OOO OF OOOO OOO 4 Ha Oe OHEe 419 O78 OO O4-6:4 70 OOO Od Hollywood.— Get set for an all-night session when George Rose starts discussing theater, actors and the worth of both. Such a session came about when Rose came to Hollywood to discuss future picture possibilities. His cherubic yet devilish face lights up as he assumes the voices and even the mannerisms of the PerSonanty he is either mimicking or revealing. 3 Before one’s eyes, George Rose can become an Alce Came. or a Lynn Fontanne. He can also become livid ‘when discussing “the method” school of acting. “Poppycock,” he snorts. “Brilliant actresses like Kim Stanley should take the next train for some place like Winnipeg where. they’ve never heard of the method and act in a repretory company that cares not a whit for commercial success, but for artistic acclaim.” George Rose has had both. A “graduate” of the Old Vic Company, Rose starred on Broadway in the long-running, brilliantly reviewed “A Man for All Seasons” from ’61 through ’63 and won raves for his role in last season’s “Slow Dance on the Killing Ground.”