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over the screen, which | might add again is filmed in living (pardon dead) colour. We then pan to a scene of piled corpses many of which are nuns, priests and small white children lying in broken heaps in alleys and court yards, obviously in a state of decomposition due to the fact that all the tough, callous white mercenaries are covering their noses.
There is, | think, an ironic part to this movie. When white nuns rush out to kiss and hug the white mercenaries thanking them for slaughtering the rebels who were holding them captive and would undoubtedly have administered to them the same treatment. ‘’Thou Shalt Not Kill’’ should we add: except when: or unless: or only: to this commandment.
Next we go to a scene filmed from the air. It first appears to be a long white ribbon but as we draw closer we see it is a column of Arab prisoners being led somewhere by rebel guards. We soon see the destination, a dry unused Arab cemetery. When it is filmed again the Arabs are no longer in a column but in a crumpled mass heap of dead bodies, the white dried earth now darkened and moist with their blood.
We do not entirely deal with the slaughter of the human animal in this picture but also with dumb animals in every shape, size and form. Some of the African nations recently granted independence decide the game reserves, a white man’s invention, are of no value in their new country. So with callous determination they proceed to slaughter them with every type of weapon. One scene traverses along a road line for miles it seems with the skulls and bones of buffalo, elephant, rhino, deer, etc. slaughtered, it is said, mainly for the horns in the case of the rhino which is said, when ground up to be a potent aphrodasiac. The Arabs pay a very high price for same inducing the poachers and now all the citizens to slaughter a fast diminishing species. The elephant is slaughtered for its tusks and its tail which makes a smashing fly whisk.
One scene here is particularly moving. It shows a huge bull elephant with large tusks being at