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The young newcomer was immediately in demand by tép British producers and in 1961 he was appointed executive diréctor of Galaworldfilm Productions Ltd.
During the past six years Sidney J. Furie has guided a succession of box-office winners in England, including ‘““The Young Ones”, “The Boys”, ““The Leather Boys’’, ‘’Wonderful Life’’ and “The Ipcress File’. He has only recently returned to England from Hollywood where he directed Marlon Brando and Anjanette Comer in Universal’s ‘“The Appaloosa’.
Furie believes in realistic backgrounds wherever possible, and most of ““The Naked Runner’ was shot on location rather than on a studio sound stage, but he insists he has nothing in common with the New Wave directors who believed implicitly in so-called “‘realism’’.
On this subject, Furie says:
‘Suppose I’m making a film that has the role of a butcher in it. | can go out and get a real butcher, but all I’ve got is a real butcher—and a bad actor. On the other hand, if | cast a good actor — I’ve got a butcher’”’.
In his use of the camera, Furie has been lauded for his fresh approach and unorthodox methods. He explains that he never begins a scene with a preconceived photographic plan, but lets the visual pattern develop from the various elements involved.
Furie now calls England home and, with his Canadian wife, Sheila, and their four sons — Daniel 8, Noah 7, Jonathan 5 and Simon 1 — lives in London’s Kensington district.
To: CINE World Box 86, Toronto 9, Canada
Please find enclosed $2.00 for my year’s subscription of CINE World (6 issues).
Pe er eee ree er oy Py ce des eae ee Peart hes ON 6
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